Here the foreign culture ceased. Beyond Christianity it could not graft upon this barbarous stock any fruitful or living branch. All the circumstances which elsewhere mellowed the wild sap, failed here. The Saxons found Britain abandoned by the Romans; they had not yielded, like their brothers on the Continent, to the ascendancy of a superior civilization; they had not become mingled with the inhabitants of the land; they had always treated them like enemies or slaves, pursuing like wolves those who escaped to the mountains of the west, treating like beasts of burden those whom they had conquered with the land. While the Germans of Gaul, Italy, and Spain became Romans, the Saxons retained their language, their genius and manners, and created in Britain a Germany outside of Germany. A hundred and fifty years after the Saxon invasion, the introduction of Christianity and the dawn of security attained by a society inclining to peace, gave birth to a kind of literature; and we meet with the venerable Bede, and later on, Alcuin, John Scotus Erigena, and some others, commentators, translators, teachers of barbarians, who tried not to originate but to compile, to pick out and explain from the great Greek and Latin encyclopædia something which might suit the men of their time. But the wars with the Danes came and crushed this humble plant, which, if left to itself, would have come to nothing.[88] When Alfred[89] the Deliverer became king, "there were very few ecclesiastics," he says, "on this side of the Humber, who could understand in English their own Latin prayers, or translate any Latin writing into English. On the other side of the Humber I think there were scarce any; there were so few that, in truth, I cannot remember a single man south of the Thames, when I took the kingdom, who was capable of it." He tried, like Charlemagne, to instruct his people, and turned into Saxon for their use several works, above all some moral books, as the "de Consolatione" of Boethius; but this very translation bears witness to the barbarism of his audience. He adapts the text in order to bring it down to their intelligence; the pretty verses of Boethius, somewhat pretentious, labored, elegant, crowded with classical allusions of a refined and compact style worthy of Seneca, become an artless, long-drawn-out and yet desultory prose, like a nurse's fairy tale, explaining everything, recommencing and breaking off its phrases, making ten turns about a single detail; so low was it necessary to stoop to the level of this new intelligence, which had never thought or known anything. Here follows the Latin of Boethius, so affected, so pretty, with the English translation affixed: