History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
She goes away at last, having extorted all, and Lucy plays the innocent,
seems to think that Gripe is à dancing-master, and asks for a lesson.
What scenes, what double meanings! At last she calls out, her mother,
Mrs. Crossbite, breaks open the door, and enters with men placed there
beforehand; Gripe is caught in the trap; they threaten to call in the
constable, they swindle him out of five hundred pounds.
Need I recount the plot of the "Country Wife"? It is useless to wish to
skim the subject only; we sink deeper and deeper. Horner, a gentleman
returned from France, spreads the report that he is no longer able to
trouble the peace of husbands. You may imagine what becomes of such a
subject in Wycherley's hands, and he draws from it all that it contains.
Women converse about Horner's condition, even before him; they suffer
themselves to be undeceived, and boast of it. Three of them come to him
and feast, drink, sing such songs! The excess of orgie triumphs,
adjudges itself the crown, displays itself in maxims. "Our virtue," says
one of them, "is like the statesman's religion, the Quaker's word, the
gamester's oath, and the great man's honor; but to cheat those that
trust us."[268] In the last scene, the suspicions which had been
aroused, are set at rest by a new declaration of Horner. All the
marriages are polluted, and the carnival ends by a dance of deceived
husbands. To crown all, Horner recommends his example to the public, and
the actress who comes on to recite the epilogue, completes the
shamefulness of the piece, by warning gallants that they must look what
they are doing; for that if they can deceive men, "we women--there's no
cozening us."[269]
But the special and most extraordinary sign of the times is, that amid
all these provocatives, no repellent circumstance is omitted, and that
the narrator seems to aim as much at disgusting as at depraving us.[270]
Every moment the fine gentlemen, even the ladies, introduce into their
conversation the ways and means by which, since the sixteenth century,
love has endeavored to adorn itself. Dapperwit, when making an offer of
Lucy, says, in order to account for the delay: "Pish! give her but leave
to ... put on... the long patch under the left eye; awaken the roses on
her cheeks with some Spanish wool, and warrant her breath with some
lemon-peel."[271] Lady Flippant, alone in the park, cries out:
"Unfortunate lady that I am! I have left the herd on purpose to be
chased, and have wandered this hour here; but the park affords not so
much as a satyr for me; and no Burgundy man or drunken scourer will reel
my way. The rag-women and cinder-women have better luck than I."[272]
Public-domain text, read in full here on John Shaqi.
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