History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
"Dearly beloved, know this, that Almighty God is the Lord of life and
death, and of all things to them pertaining, as youth, strength, health,
age, weakness, and sickness. Wherefore, whatsoever your sickness is,
know you certainly, that it is God's visitation. And for what cause
soever this sickness is sent unto you; whether it be to try your
patience for the example of others,... or else it be sent unto you to
correct and amend in you whatsoever doth offend the eyes of your
heavenly Father; know you certainly, that if you truly repent you of
your sins, and bear your sickness patiently, trusting in God's mercy,...
submitting yourself wholly unto His will, it shall turn to your profit,
and help you forward in the right way that leadeth unto everlasting
life."
A great mysterious sentiment, a sort of sublime epic, void of images,
shows darkly amid these probings of the conscience; I mean a glimpse of
the divine government and of the invisible world, the only existences,
the only realities, in spite of bodily appearances and of the brute
chance, which seems to jumble all things together. Man sees this beyond
at distant intervals, and raises himself out of his mire, as though he
had suddenly breathed a pure and strengthening atmosphere. Such are the
effects of public prayer restored to the people; for this had been taken
from the Latin and rendered into the vulgar tongue: there is a
revolution in this very word. Doubtless routine, here as with the
ancient missal, will gradually do its sad work; by repeating the same
words, man will often do nothing but repeat words; his lips will move
whilst his heart remains inert. But in great anguish, in the confused
agitation of a restless and hollow mind, at the funeral of his
relatives, the strong words of the book will find in him a mood to feel;
for they are living,[33] and do not stay in the ears like those of a
dead language; they enter the soul, and as soon as the soul is stirred
and worked upon, they take root there. If you go and hear these words in
England itself, and if you listen to the deep and pulsating accent with
which they are pronounced, you will see that they constitute there a
national poem, always understood and always efficacious. On Sunday, when
all business and pleasure is suspended, between the bare walls of the
village church, where no image, no _ex-voto_, no accessory worship
distracts the eyes, the seats are full; the powerful Hebraic verses
knock like the strokes of a battering-ram at the door of every soul;
then the liturgy unfolds its imposing supplications; and at intervals
the song of the congregation, combined with the organ, sustains the
people's devotion. There is nothing graver and more simple than this
singing by the people; no scales, no elaborate melody; it is not
calculated for the gratification of the ear, and yet it is free from the
sickly sadness, from the gloomy monotony which the Middle Ages has left
Public-domain text, read in full here on John Shaqi.
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