History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
for a hysterical young woman or a dancing-master.[508] Take a near view
of this beribboned puppy, in his light-green dress, lisping out the
songs of Florian. The genius of society which has led him to these
fooleries has also led him elsewhere; for conversation, in France at
least, is a chase after ideas. To this day, in spite of modern distrust
and sadness, it is at table, after dinner, over the coffee especially,
that deep politics and the loftiest philosophy crop up. To think, above
all to think rapidly, is a recreation. The mind finds in it a sort of
ball; think how eagerly it hastens thither. This is the source of all
French culture. At the dawn of the century, the ladies, between a couple
of bows, produced studied portraits and subtle dissertations; they
understand Descartes, appreciate Nicole, approve Bossuet. Presently
little suppers are introduced, and during the dessert they discuss the
existence of God. Are not theology, morality, set forth in a noble or
piquant style, pleasures for the drawing-room and adornments of luxury?
Fancy finds place amongst them, floats about and sparkles like a light
flame over all the subjects on which it feeds. How lofty a flight did
intelligence take during this eighteenth century! Was society ever more
anxious for sublime truths, more bold in their search, more quick to
discover, more ardent in embracing them? These perfumed marquises, these
laced coxcombs, all these pretty, well-dressed, gallant, frivolous
people, crowd to hear philosophy discussed, as they go to hear an opera.
The origin of animated beings, the eels of Needham,[509] the adventures
of Jacques the Fatalist,[510] and the question of free-will, the
principles of political economy, and the calculations of the "Man with
Forty Crowns"[511]--all is to them a matter for paradoxes and
discoveries. All the heavy rocks, which the men who have made it their
business, were hewing and undermining laboriously in solitude, being
carried along and polished in the public torrent, roll in myriads,
mingled together with a joyous clatter, hurried onwards with an
ever-increasing rapidity. There was no bar, no collision; they were not
checked by the practicability of their plans: they thought for
thinking's sake; theories could be expanded at ease. In fact, this is
how in France men have always conversed. They play with general truths;
they glean one nimbly from the heap of facts in which it lay concealed,
and develop it, they hover above observation in reason and rhetoric;
they find themselves uncomfortable and commonplace when they are not in
the region of pure ideas. And in this respect the eighteenth century
continues the seventeenth. The philosophers had described good breeding,
flattery, misanthropy, avarice; they now instituted inquiries into
liberty, tyranny, religion; they had studied man in himself; they now
study him in the abstract. Religious and monarchical writers are of the
same school as impious and revolutionary writers; Boileau leads up to
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