History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
Rousseau, Racine to Robespierre. Oratorical reasoning formed the regular
theatre and classical preaching; it also produced the Declaration of
Rights and the "Contrat Social." They form for themselves a certain idea
of man, of his inclinations, faculties, duties; a mutilated idea, but
the more clear as it was the more reduced. From being aristocratic it
becomes popular; instead of being an amusement, it is a laith; from
delicate and sceptical hands it passes to coarse and enthusiastic hands.
From the lustre of the drawing-room they make a brand and a torch. Such
is the current on which the French mind floated for two centuries,
caressed by the refinements of an exquisite politeness, amused by a
swarm of brilliant ideas, charmed by the promises of golden theories,
until, thinking that it touched the cloud-palace, made bright by the
future, it suddenly lost its footing and fell in the storm of the
Revolution.
Altogether different is the path which English civilization has taken.
It is not the spirit of society which has made it, but moral sense; and
the reason is that in England man is not as he is in France. The
Frenchmen who became acquainted with England at this period were struck
by it. "In France," says Montesquieu, "I become friendly with everybody;
in England with nobody. You must do here as the English do, live for
yourself, care for no one, love no one, rely on no one." Englishmen were
of a singular genius, yet "solitary and sad. They are reserved, live
much in themselves, and think alone. Most of them having wit, are
tormented by their very wit. Scorning or disgusted with all things, they
are unhappy amid so many reasons why they should not be so." And
Voltaire, like Montesquieu, continually alludes to the sombre energy of
the English character. He says that in London there are days when the
wind is in the east, when it is customary for people to hang themselves;
he relates shudderingly how a young girl cut her throat, and how her
lover without a word redeemed the knife. He is surprised to see "so many
Timons, so many splenetic, misanthropes." Whither will they go? There
was one path which grew daily wider. The Englishman, naturally serious,
meditative, and sad, did not regard life as a game or a pleasure; his
eyes were habitually turned, not outward to smiling nature, but inward
to the life of the soul; he examines himself, ever descends within
himself, confines himself to the moral world, and at last sees no other
beauty but that which shines there; he enthrones justice as the sole and
absolute queen of humanity, and conceives the plan of disposing all his
actions according to a rigid code. He has no lack of force in this; for
his pride comes to assist his conscience. Having chosen himself and by
himself the route, he would blush to quit it; he rejects temptations as
his enemies; he feels that he is fighting and conquering,[512] that he
is doing a difficult thing, that he is worthy of admiration, that he is
a man.
Public-domain text, read in full here on John Shaqi.
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