History of English Literature Volume 2 (of 3) — John Shaqi
History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
Two distinct branches receive the common sap--one above, the other
beneath: one respected, flourishing, shooting forth in the open air; the
other despised, half buried in the ground, trodden under foot by those
who would crush it: both living, the Anglican as well as the Puritan,
the one in spite of the effort made to destroy it, the other in spite of
the care taken to develop it.
The court has its religion, like the country--a sincere and winning
religion. Amid the pagan poetry which up to the Revolution always had
the ear of the world, we find gradually piercing through and rising
higher a grave and grand idea which sent its roots to the depth of the
public mind. Many poets, Drayton, Davies, Cowley, Giles Fletcher,
Quarles, Crashaw, wrote sacred histories, pious or moral verses, noble
stanzas on death and the immortality of the soul, on the frailty of
things human, and on the supreme providence in which alone man finds the
support of his weakness and the consolation of his sufferings. In the
greatest prose writers, Bacon, Burton, Sir Thomas Browne, Raleigh, we
see spring up the fruits of veneration, thoughts about the obscure
beyond; in short, faith and prayer. Several prayers written by Bacon are
amongst the finest known; and the courtier Raleigh, whilst writing of
the fall of empires, and how the barbarous nations had destroyed this
grand and magnificent Roman Empire, ended his book with the ideas and
tone of a Bossuet.[43] Picture Saint Paul's in London, and the
fashionable people who used to meet there; the gentlemen who noisily
made the rowels of their spurs resound on entering, looked around and
carried on conversation during service, who swore by God's eyes, God's
eyelids, who amongst the vaults and chapels showed off their beribboned
shoes, their chains, scarfs, satin doublets, velvet cloaks, their
braggadocio manners and stage attitudes. All this was very free, very
loose, very far from our modern decency. But pass over youthful bluster;
take man in his great moments, in prison, in danger, or indeed when old
age arrives, when he has come to judge of life; take him, above all, in
the country, on his estate, far from any town, in the church of the
village where he is lord; or again, when he is alone in the evening, at
his table, listening to the prayer offered up by his chaplain, having no
books but some big folio of dramas, well dog's-eared; and his
prayer-book and Bible; you may then understand how the new religion
tightens its hold on these imaginative and serious minds. It does not
shock them by a narrow rigor; it does not fetter the flight of their
mind; it does not attempt to extinguish the buoyant flame of their mind;
it does not proscribe the beautiful: it preserves more than any reformed
church the noble pomp of the ancient worship, and rolls under the domes
of its cathedrals the rich modulations, the majestic harmonies of its
grave, organ-led music. It is its characteristic not to be in opposition
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