conscience; and that if the doctrines of the different Protestant sects are not absolutely true, at least they are free from all impiety and from all error damnable in itself, or destructive of salvation. Thus is developed a new school of polemics, a theology, a solid and rational apologetics, rigorous in its arguments, capable of expansion, confirmed by science, and which authorizing independence of personal judgment at the same time with the intervention of the natural reason, leaves religion within reach of the world and the establishments of the past struggling with the future. A writer of genius appears amongst these, a prose-poet, gifted with an imagination like Spenser and Shakespeare--Jeremy Taylor, who, from the bent of his mind as well as from circumstances, was destined to present the alliance of the Renaissance with the Reformation, and to carry into the pulpit the ornate style of the court. A preacher at St. Paul's, appreciated and admired by men of fashion for his youthful and fresh beauty and his graceful bearing, as also for his splendid diction; patronized and promoted by Archbishop Laud, he wrote for the king a defence of episcopacy; became chaplain to the king's army; was taken, ruined, twice imprisoned by the Parliamentarians; married a natural daughter of Charles I; then, after the Restoration, was loaded with honors; became a bishop, member of the Privy Council, and vice-chancellor of the university of Dublin. In every passage of his life, fortunate or otherwise, private or public, we see that he is an Anglican, a royalist, imbued with the spirit of the cavaliers and courtiers, not with their vices. On the contrary, there was never a better or more upright man, more zealous in his duties, more tolerant by principle; so that, preserving a Christian gravity and purity, he received from the Renaissance only its rich imagination, its classical erudition, and its liberal spirit. But he had these gifts entire, as they existed in the most brilliant and original of the men of the world, in Sir Philip Sidney, Lord Bacon, Sir Thomas Browne, with the graces, splendors, refinements which are characteristic of these sensitive and creative geniuses, and yet with the redundancies, singularities, incongruities inevitable in an age when excess of spirit prevented the soundness of taste. Like all these writers, like Montaigne, he was imbued with classic antiquity; in the pulpit he quotes Greek and Latin anecdotes, passages from Seneca, verses of Lucretius and Euripides, and this side by side with texts from the Bible, from the Gospels, and the Fathers. Cant was not yet in vogue; the two great sources of teaching, Christian and pagan, ran side by side; they were collected in the same vessel, without imagining that the wisdom of reason and nature could mar the wisdom of faith and revelation. Fancy these strange sermons in which the two eruditions, Hellenic and evangelic, flow together with their