History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
This is the advantage of a full imagination over ordinary reason. It
produces in a lump twenty or thirty ideas, and as many images,
exhausting the subject which the other only outlines and sketches. There
are a thousand circumstances and shades in every event, and they are all
grasped in living words like these:
"For so have I seen the little purls of a spring sweat through the
bottom of a bank, and intenerate the stubborn pavement, till it hath
made it fit for the impression of a child's foot; and it was despised,
like the descending pearls of a misty morning, till it had opened its
way and made a stream large enough to carry away the ruins of the
undermined strand, and to invade the neighboring gardens; but then the
despised drops were grown into an artificial river, and an intolerable
mischief. So are the first entrances of sin, stopped with the antidotes
of a hearty prayer, and checked into sobriety by the eye of a reverend
man, or the counsels of a single sermon; but when such beginnings are
neglected, and our religion hath not in it so much philosophy as to
think anything evil as long as we can endure it, they grow up to ulcers
and pestilential evils; they destroy the soul by their abode, who at
their first entry might have been killed with the pressure of a little
finger."[50]
All extremes meet in that imagination. The cavaliers who heard him,
found, as in Ford, Beaumont and Fletcher, the crude copy of the most
coarse and unclean truth, and the light music of the most graceful and
airy fancies; the smell and horrors of a dissecting-room,[51] and all on
a sudden the freshness and cheerfulness of smiling dawn; the hateful
detail of leprosy, its white spots, its inner rottenness; and then this
lovely picture of a lark, rising amid the early perfumes of the fields:
"For so have I seen a lark arising from his bed of grass, and soaring
upwards, singing as he rises, and hopes to get to heaven, and climb
above the clouds; but the poor bird was beaten back with the loud
sighings of an eastern wind, and his motion made irregular and
inconstant, descending more at every breath of the tempest, than it
could recover by the vibration and frequent weighing of his wings, till
the little creature was forced to sit down and pant, and stay till the
storm was over; and then it made a prosperous flight, and did rise and
sing, as if it had learned music and motion from an angel, as he passed
sometimes through the air, about his ministries here below. So is the
prayer of a good man."[52]
And he continues with the charm, sometimes with the very words, of
Shakespeare. In the preacher, as well as in the poet, as well as in all
the cavaliers and all the artists of the time, the imagination is so
full, that it reaches the real, even to its filth, and the ideal as far
as its heaven.
Public-domain text, read in full here on John Shaqi.
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