Thus these powerful words roll on, sublime as an organ motet; this universal crushing out of human vanities has the funeral grandeur of a tragedy; piety in this instance proceeds from eloquence, and genius leads to faith. All the powers and all the tenderness of the soul are moved. It is not a cold rigorist who speaks; it is a man, a moved man, with senses and a heart, who has become a Christian not by mortification, but by the development of his whole being: "Reckon but from the sprightfulness of youth, and the fair cheeks and full eyes of childhood, from the vigorousness and strong flexture of the joints of five and twenty, to the hollowness and dead paleness, to the loathsomeness and horror of a three days' burial, and we shall perceive the distance to be very great and very strange. But so have I seen a rose newly springing from the clefts of its hood, and at first it was fair as the morning, and full with the dew of heaven as a lamb's fleece; but when a ruder breath had forced open its virgin modesty, and dismantled its too youthful and unripe retirements, it began to put on darkness, and to decline to softness and the symptoms of a sickly age; it bowed the head, and broke its stalk, and at night having lost some of its leaves and all its beauty, it fell into the portion of weeds and outworn faces. The same is the portion of every man and every woman, the heritage of worms and serpents, rottenness and cold dishonor, and our beauty so changed, that our acquaintance quickly knew us not; and that change mingled with so much horror, or else meets so with our fears and weak discoursings, that they who six hours ago tended upon us either with charitable or ambitious services, cannot without some regret stay in the room alone where the body lies stripped of its life and honor. I have read of a fair young German gentleman who living often refused to be pictured, but put off the importunity of his friends' desire by giving way that after a few days' burial they might send a painter to his vault, and if they saw cause for it draw the image of his death unto the life: they did so, and found his face half eaten, and his midriff and backbone full of serpents; and so he stands pictured among his armed ancestors. So does the fairest beauty change, and it will be as bad with you as me; and then what servants shall we have to wait upon us in the grave? what friends to visit us? what officious people to cleanse away the moist and unwholesome cloud reflected upon our faces from the sides of the weeping vaults, which are the longest weepers for our funeral?"[58] Brought hither, like Hamlet to the burying-ground, amid the skulls which he recognizes, and under the oppression of the death which he touches, man needs but a slight effort to see a new world arise in his heart. He seeks the remedy of his sadness in the idea of eternal justice, and implores it with a breadth of words which makes the prayer a hymn in prose, as beautiful as a work of art: