History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
billows; but as children, when tired with crying, sink placidly to
repose, we, when exhausted with struggling, shall die the easier..." He
then sat down, folding his arms, very calm; he even joked with the
captain, who was putting his dollars into his waistcoat pocket.... The
ship approached the rocks. All this time Byron was not seen to change
countenance. A man thus tried and moulded can paint extreme situations
and sentiments. After all, they are never painted otherwise than by
experience. The most inventive--Dante and Shakespeare--though quite
different, yet do the same thing. However high their genius rose, it
always had its feet on observation; and their most foolish, as well as
their most splendid pictures, never offer to the world more than an
image of their age, or of their own heart. At most, they deduce; that
is, having derived from two or three features the inward qualities of
the man within themselves and of the men around them, they draw thence,
by a sudden ratiocination of which they have no consciousness, the
varied skein of actions and sentiments. They may be artists, but they
are observers. They may invent, but they describe. Their glory does not
consist in the display of a phantasmagoria, but in the discovery of a
truth. They are the first to enter some unexplored province of humanity,
which becomes their domain, and thenceforth supports their name like an
appanage. Byron found his domain, which is that of sad and tender
sentiments: it is a heath, and full of ruins; but he is at home there,
and he is alone.
What an abode! And it is on this desolation that he dwells. He muses on
it. See the brothers of Childe Harold pass--the characters who people
it. One in his prison, chained up with his two remaining brothers. Their
father and three others had perished fighting, or were burnt for their
faith. One by one, before the eyes of the eldest, the last two languish
and fade: a silent and slow agony amidst the damp darkness into which a
beam of the sickly sun pierces through a crevice. After the death of the
first, the survivors "begged as a boon" that he shall at least be buried
on a spot "whereon the day might shine." The jailers
"Coldly laugh'd--and laid him there:
The flat and turfless earth above
The being we so much did love;
His empty chain above it leant."[183]
Then the youngest "faded" daily
"With all the while a cheek whose bloom
Was as a mockery of the tomb,
Whose tints as gently sunk away
As a departing rainbow's ray."[184]
Public-domain text, read in full here on John Shaqi.
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