History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
"And when it has got in; as one not finding what he seeks, whatever that
may be; it wails and howls to issue forth again: and, not content with
stalking through the aisles, and gliding round and round the pillars,
and tempting the deep organ, soars up to the roof, and strives to rend
the rafters: then flings itself despairingly upon the stones below, and
passes, muttering, into the vaults. Anon, it comes up stealthily, and
creeps along the walls: seeming to read, in whispers, the inscriptions
sacred to the dead. At some of these, it breaks out shrilly, as with
laughter; and at others, moans and cries as if it were lamenting."[241]
Hitherto you have only recognized the sombre imagination of a man of the
north. A little further you perceive the impassioned religion of a
revolutionary Protestant, when he speaks to you of "a ghostly sound too,
lingering within the altar; where it seems to chaunt, in its wild way,
of wrong and murder done, and false Gods worshipped; in defiance of the
tables of the law, which look so fair and smooth, but are so flawed and
broken. Ugh! Heaven preserve us, sitting snugly round the fire! It has
an awful voice, that wind at midnight, singing in a church!" But an
instant after, the artist speaks again; he leads you to the belfry, and
in the jingle of the accumulated words, communicates to your nerves the
sensation of an aerial tempest. The wind whistles, blows, and gambols in
the arches: "High up in the steeple, where it is free to come and go
through many an airy arch and loop-hole, and to twist and twine itself
about the giddy stair, and twirl the groaning weathercock, and make the
very tower shake and shiver!"[242] Dickens has seen it all in the old
belfry; his thought is a mirror; not the smallest or ugliest detail
escapes him. He has counted "the iron rails ragged with rust"; "the
sheets of lead," wrinkled and shrivelled, which crackle and heave
beneath the unaccustomed tread; "the shabby nests" which "the birds
stuff into corners" of the old oaken joists and beams; the gray dust
heaped up; "the speckled spiders, indolent and fat with long security,"
which, hanging by a thread, "swing idly to and fro in the vibration of
the bells," and which "climb up sailor-like in quick-alarm, or drop upon
the ground and ply a score of nimble legs to save one life." This
picture captivates us. Kept up at such a height, amongst the fleeting
clouds which cast their shadows over the town, and the feeble lights
scarce distinguished in the mist, we feel a sort of dizziness; and we
nearly discover, with Dickens, thought and a soul in the metallic voice
of the chimes which inhabit this trembling castle.
Public-domain text, read in full here on John Shaqi.
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