History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
This demonstrative talent was increased by his talent for development.
Macaulay enlightens inattentive minds, as well as he convinces opposing
minds; he manifests, as well as he persuades, and spreads as much
evidence over obscure questions as certitude over doubtful points. It is
impossible not to understand him; he approaches the subject under every
aspect, he turns it over on every side; it seems as though he addressed
himself to every spectator, and studied to make himself understood by
every individual; he calculates the scope of every mind, and seeks for
each a fit mode of exposition; he takes us all by the hand, and leads us
alternately to the end which he has marked out beforehand. He sets out
from the simplest facts, he descends to our level, he brings himself
even with our mind; he spares us the pain of the slightest effort; then
he leads us on, and smoothes the road throughout; we rise gradually,
without perceiving the slope, and at the end we find ourselves at the
top, after having walked as easily as on the plain. When a subject is
obscure, he is not content with a first explanation; he gives a second,
then a third: he sheds light in abundance from all sides, he searches
for it in all regions of history; and the wonderful thing is, that he is
never prolix. In reading him we find ourselves in our proper sphere; we
feel as though we could understand; we are annoyed to have taken
twilight so long for day; we rejoice to see this abounding light rising
and leaping forth in torrents; the exact style, the antithesis of ideas,
the harmonious construction, the artfully balanced paragraphs, the
vigorous summaries, the regular sequence of thoughts, the frequent
comparisons, the fine arrangement of the whole--not an idea or phrase of
his writings in which the talent and the desire to explain, the
characteristic of an orator, does not shine forth. Macaulay was a member
of Parliament, and spoke so well, we are told, that he was listened to
for the mere pleasure of listening. The habit of public speaking is,
perhaps, the cause of this incomparable lucidity. To convince a great
assembly, we must address all the members; to rivet the attention of
absentminded and weary men, we must save them from all fatigue; they
must take in too much in order to take in enough. Public speaking
vulgarizes ideas; it drags truth from the height at which it dwells,
with some thinkers, to bring it amongst the crowd: it reduces it to the
level of ordinary minds, who, without this intervention, would only have
seen it from afar, and high above them. Thus, when great orators consent
to write, they are the most powerful of writers; they make philosophy
popular; they lift all minds a stage higher, and seem to enlarge human
intelligence. In the hands of Cicero, the dogmas of the Stoics and the
dialectics of the Academicians lose their prickles. The subtle Greek
arguments become united and easy; the hard problems of providence,
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