History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
The last feature, the most singular, the least English of this history,
is, that it is interesting. Macaulay wrote, in the "Edinburgh Review,"
several volumes of essays; and everyone knows that the first merit of a
reviewer or a journalist is to make himself readable. A thick volume
naturally bores us; it is not thick for nothing; its bulk demands at the
outset the attention of him who opens it. The solid binding, the table
of contents, the preface, the substantial chapters, drawn up like
soldiers in battle-array, all bid us take an arm-chair, put on a
dressing-gown, place our feet on the fender, and study; we owe no less
to the grave man who presents himself to us, armed with 600 pages of
text and three years of reflection. But a newspaper which we glance at
in a club, a review which we finger in a drawing-room in the evening,
before sitting down to dinner, must needs attract the eyes, overcome
absence of mind, conquer readers. Macaulay attained, through practice,
this gift of readableness, and he retains in his history the habits
which he acquired in periodicals. He employs every means of keeping up
attention, good or indifferent, worthy or unworthy of his great talent;
amongst others, allusion to actual circumstances. You may have heard the
saying of an editor, to whom Pierre Leroux offered an article on God,
"God! there is no actuality about it!" Macaulay profits by this remark.
He never forgets the actual. If he mentions a regiment, he points out in
a few lines the splendid deeds which it has done since its formation up
to our own day; thus the officers of this regiment, encamped in the
Crimea, stationed at Malta, or at Calcutta, are obliged to read his
history. He relates the reception of Schomberg in the House: who is
interested in Schomberg? Forthwith he adds that Wellington, a hundred
years later, was received, under like circumstances, with a ceremony
copied from the first: what Englishman is not interested in Wellington?
He relates the siege of Londonderry, he points out the spot which the
ancient bastions occupy in the present town, the field which was covered
by the Irish camp, the well at which the besiegers drank: what citizen
of Londonderry can help buying his book? Whatever town he comes upon, he
notes the changes which it has undergone, the new streets added, the
buildings repaired or constructed, the increase of commerce, the
introduction of new industries: hence all the aldermen and merchants are
constrained to subscribe to his work. Elsewhere we find an anecdote of
an actor and actress: as the superlative degree is interesting, he
begins by saying that William Mountford was the most agreeable comedian,
that Anne Bracegirdle was the most popular actress of the time. If he
introduces a statesman, he always announces him by some great word: he
was the most insinuating, or the most equitable, or the best informed,
or the most inveterately debauched, of all the politicians of the day.
Public-domain text, read in full here on John Shaqi.
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