History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
partially, and under reserve, the Germanic etymologies and hypotheses.
He wishes to draw from history a positive and active law for himself and
us. He expels and tears away from it all the doubtful and agreeable
additions which scientific curiosity and romantic imagination
accumulate. He puts aside this parasitic growth to seize the useful and
solid wood. And when he has seized it, he drags it so energetically
before us, in order to make us touch it, he handles it in so violent a
manner, he places it under such a glaring light, he illuminates it by
such coarse contrasts of extraordinary images, that we are infected, and
in spite of ourselves reach the intensity of his belief and vision.
He goes beyond, or rather is carried beyond this. The facts seized upon
by this vehement imagination are melted in it as in a fire. Beneath this
fury of conception, everything wavers. Ideas, changed into
hallucinations, lose their solidity, realities are like dreams; the
world, appearing in a nightmare, seems no more than a nightmare; the
attestation of the bodily senses loses its weight before inner visions
as lucid as itself. Man finds no longer a difference between his dreams
and his perceptions. Mysticism enters like smoke within the over-heated
walls of a collapsing imagination. It was thus that it once penetrated
into the ecstasies of ascetic Hindoos, and into the philosophy of our
first two centuries. Throughout, the same state of the imagination has
produced the same teaching. The Puritans, Carlyle's true ancestors, were
inclined to it. Shakespeare reached it by the prodigious tension of his
poetic dreams, and Carlyle ceaselessly repeats after him that "we are
such stuff as dreams are made of." This real world, these events so
harshly followed up, circumscribed, and handled, are to him only
apparitions; the universe is divine. "Thy daily life is girt with
wonder, and based on wonder; thy very blankets and breeches are
miracles.... The unspeakable divine significance, full of splendour, and
wonder, and terror, lies in the being of every man and of everything;
the presence of God who made every man and thing."
"Atheistic science babbles poorly of it, with scientific nomenclatures,
experiments, and what-not, as if it were a poor dead thing, to be
bottled up in Leyden jars, and sold over counters: but the natural sense
of man, in all times, if he will honestly apply his sense, proclaims it
to be a living thing--ah, an unspeakable, godlike thing; towards which
the best attitude for us, after never so much science, is awe, devout
prostration and humility of soul: worship, if not in words, then in
silence."[347]
Public-domain text, read in full here on John Shaqi.
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