History of European Morals From Augustus to Charlemagne (Vol. 1 of 2)Lecky, William Edward Hartpole
Philosophy
History of European Morals From Augustus to Charlemagne (Vol. 1 of 2)
Lecky, William Edward Hartpole
Ethics; Europe -- Moral conditions
It is evident, therefore, that the prevalence of Greek ideas in Rome would
be in a two-fold way destructive of narrow national feelings. It was the
ascendancy of a people who were not Romans, and of a people who had
already become in a great degree emancipated from local sentiments. It is
also evident that the Greeks having had for several centuries a splendid
literature, at a time when the Romans had none, and when the Latin
language was still too rude for literary purposes, the period in which the
Romans first emerged from a purely military condition into an intelligent
civilisation would bring with it an ascendancy of Greek ideas. Fabius
Pictor and Cincius Alimentus, the earliest native Roman historians, both
wrote in Greek,(352) and although the poems of Ennius, and the “Origines”
of Marcus Cato, contributed largely to improve and fix the Latin language,
the precedent was not at once discontinued.(353) After the conquest of
Greece, the political ascendancy of the Romans and the intellectual
ascendancy of Greece were alike universal.(354) The conquered people,
whose patriotic feelings had been greatly enfeebled by the influences I
have noticed, acquiesced readily in their new condition, and
notwithstanding the vehement exertions of the conservative party, Greek
manners, sentiments, and ideas soon penetrated into all classes, and
moulded all the forms of Roman life. The elder Cato, as an acute observer
has noticed, desired all Greek philosophers to be expelled from Rome. The
younger Cato made Greek philosophers his most intimate friends.(355) Roman
virtue found its highest expression in Stoicism. Roman vice sheltered
itself under the name of Epicurus. Diodorus of Sicily and Polybius first
sketched in Greek the outlines of universal history. Dionysius of
Halicarnassus explored Roman antiquities. Greek artists and Greek
architects thronged the city; but the first, under Roman influence,
abandoned the ideal for the portrait, and the second degraded the noble
Corinthian pillar into the bastard composite.(356) The theatre, which now
started into sudden life, was borrowed altogether from the Greeks. Ennius
and Pacuvius imitated Euripides; Cæcilius, Plautus, Terence, and Nævius
devoted themselves chiefly to Menander. Even the lover in the days of
Lucretius painted his lady’s charms in Greek.(357) Immense sums were given
for Greek literary slaves, and the attractions of the capital drew to Rome
nearly all that was brilliant in Athenian society.
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