"This subject ought to be exhausted: one word more, and then it does end. The day after their departure, I receive a Letter of four pages, and a Note enclosed, which announces dreadful burly-burly: M. de Voltaire has mislaid his Farce, forgotten to get back the parts, and lost his Prologue: I am to find all that again [excessively tremulous about his Manuscripts, M. de Voltaire; of such value are they, of such danger to him; there is LA PUCELLE, for example,--enough to hang a man, were it surreptitiously launched forth in print!]--I am to send him the Prologue instantly, not by post, because they would copy it; to keep the parts for fear of the same accident, and to lock up the Piece 'under a hundred keys.' I should have thought one padlock sufficient for this treasure! I have duly executed his orders." [--Madame de Graffigny (Paris, 1820), pp. 283-291.] And herewith EXPLICIT DE STAAL. Scene closes: EXEUNT OMNES; are off to Paris or Versailles again; to Luneville and the Court of Stanislaus again,--where also adventures await them, which will be heard of! "Figure to yourself," says some other Eye-witness, "a lean Lady, with big arms and long legs; small head, and countenance losing itself in a cloudery of head-dress; cocked nose [RETROUSSE, say you? Very slightly, then; quite an unobjectionable nose!] and pair of small greenish eyes; complexion tawny, and mouth too big: this was the divine Emilie, whom Voltaire celebrates to the stars. Loaded to extravagance with ribbons, laces, face-patches, jewels and female ornaments; determined to be sumptuous in spite of Economics, and pretty in spite of Nature:" Pooh, it is an enemy's hand that paints! "And then by her side," continues he, "the thin long figure of Voltaire, that Anatomy of an Apollo, affecting worship of her," [From Rodenbeck (quoting somebody, whom I have surely seen in French; whom Rodenbeck tries to name, as he could have done, but curiously without success), i. 179.]--yes, that thin long Gentleman, with high red-heeled shoes, and the daintiest polite attitudes and paces; in superfine coat, laced hat under arm; nose and under-lip ever more like coalescing (owing to decay of teeth), but two eyes shining on you like carbuncles; and in the ringing voice, such touches of speech when you apply for it! Thus they at Sceaux and elsewhere; walking their Life-minuet, making their entrances and exits.