Monastic cartography did not keep pace with theory. The disputed
habitable land beyond the confines of the known world, and separated
from it by the impassable torrid zone (a classical conception),
appeared in maps of the seventh and eighth centuries. Apart from this
(and it came to be generally admitted) we have rectangular oblong maps
like that of Cosmas, and circular maps, out of which was evolved the
diagrammatic form of a =T= within an =O=, where the =T= represented
the Mediterranean, the Tanais, and the Nile, its upright showing the
westward extension of the sea, and the cross-stroke the two rivers,
to left and right respectively, so that the west was at the bottom
of the map. Europe lay within the left-hand angle of the =T=, Africa
in the right-hand angle; Asia was the half circle above it. The holy
city of Jerusalem lay “in the midst of the nations.” Some maps, again,
gave the earth an oval form. In all, the habitable earth was still
surrounded by ocean. In the far east sometimes appeared Paradise.
This feature and the unknown habitable world above mentioned were
both shown in the map of Beatus, a Spanish priest (_c._ 730–798), who
illustrated his _Commentaria in Apocalypsin_ with one of the earliest
known Christian maps of the world, several copies of which, dating from
the tenth to the thirteenth centuries, are preserved. In this map the
“known” habitable world appears as a dome-shaped mass with its flat
base to the south, forming the northern shore of a strait separating
it from the unknown southern land. The known world is broken for more
than half its breadth by the vast gulf of the Mediterranean, which
has two great arms reaching far northward; the Caspian Sea is a gulf
opening into the north-east part of the circumfluent ocean, in which
are set islands in an orderly ring all round the world; all sense of
direction in the flow of rivers is awry, and topographical accuracy is,
of course, entirely wanting.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account