Both the ancient scholiasts (see Schol. Apoll. Rhod. i. 769) and the modern commentators, Spanheim and Heyne, seek to escape this difficulty by supposing two Atalantas,—an Arcadian and a Bœôtian: assuming the principle of their conjecture to be admissible, they ought to suppose at least three. Certainly, if personages of the Grecian mythes are to be treated as historically real, and their adventures as so many exaggerated and miscolored facts, it will be necessary to repeat the process of multiplying entities to an infinite extent. And this is one among the many reasons for rejecting the fundamental supposition. But when we consider these personages as purely legendary, so that an historical basis can neither be affirmed nor denied respecting them, we escape the necessity of such inconvenient stratagems. The test of identity is then to be sought in the attributes, not in the legal description,—in the predicates, not in the subject. Atalanta, whether born of one father or another, whether belonging to one place or another, is beautiful, cold, repulsive, daring, swift of foot and skilful with the bow,—these attributes constitute her identity. The Scholiast on Theocritus (iii. 40), in vindicating his supposition that there were two Atalantas, draws a distinction founded upon this very principle: he says that the Bœôtian Atalanta was τοξοτὶς, and the Arcadian Atalanta δρομαία. But this seems an over-refinement: both the shooting and the running go to constitute an accomplished huntress. In respect to Parthenopæus, called by Euripidês and by so many others the son of Atalanta, it is of some importance to add, that Apollodôrus, Aristarchus, and Antimachus, the author of the Thebaid, assigned to him a pedigree entirely different,—making him an Argeian, the son of Talaos and Lysimachê, and brother of Adrastus. (Apollodôr. i. 9, 13; Aristarch. ap. Schol. Soph. Œd. Col. 1320; Antimachus ap. Schol. Æschyl. Sep. Theb. 532; and Schol. Supplem. ad Eurip. Phœniss. t. viii. p. 461, ed. Matth. Apollodôrus is in fact inconsistent with himself in another passage).