Compare with this passage, Demosthen. Λόγος Ἐπιταφ. p. 1397, Reisk. Just before, the death of the three daughters of Kekrops, for infringing the commands of Athênê, had been mentioned. Euripidês modified this in his Erechtheus, for he there introduced the mother Praxithea consenting to the immolation of one daughter, for the rescue of the country from a foreign invader: to propose to a mother the immolation of three daughters at once, would have been too revolting. In most instances we find the strongly marked features, the distinct and glaring incidents as well as the dark contrasts, belong to the Hesiodic or old Post-Homeric legend; the changes made afterwards go to soften, dilute, and to complicate, in proportion as the feelings of the public become milder and more humane; sometimes however the later poets add new horrors. [483] See the striking evidence contained in the oration of Lykurgus against Leocratês (p. 201-204. Reiske; Demosthen. Λόγ. Ἐπιταφ. _l. c._; and Xenophon, Memor. iii. 5, 9): from the two latter passages we see that the Athenian story represented the invasion under Eumolpus as a combined assault from the western continent. Though Erechtheus gained the victory over Eumolpus, yet the story represents Poseidôn as having put an end to the life and reign of Erechtheus, who was (it seems) slain in the battle. He was succeeded by his son Kekrops II., and the latter again by his son Pandiôn II.,[484]—two names unmarked by any incidents, and which appear to be mere duplication of the former Kekrops and Pandiôn, placed there by the genealogizers for the purpose of filling up what seemed to them a chronological chasm. The Attic legends were associated chiefly with a few names of respected eponymous personages; and if the persons called the children of Pandiôn were too numerous to admit of their being conveniently ascribed to one father, there was no difficulty in supposing a second prince of the same name. [484] Apollodôr. iii. 15, 5; Eurip. Iôn, 282; Erechth. Fragm. 20, Dindorf.