In the splendid triumph of the emperor Aurelian at Rome after the defeat of Zenobia, a few Gothic women who had been taken in arms were exhibited among the prisoners; the official placard carried along with them announced them as _Amazons_ (Vopiscus Aurel. in Histor. August. Scrip. p. 260, ed. Paris). [519] Arrian, Expedit. Alexand. vii. 13. There cannot be a more striking evidence of the indelible force with which these ancient legends were worked into the national faith and feelings of the Greeks, than these remarks of a judicious historian upon the fable of the Amazons. Probably if any plausible mode of rationalizing it, and of transforming it into a quasi-political event, had been offered to Arrian, he would have been better pleased to adopt such a middle term, and would have rested comfortably in the supposition that he believed the legend in its true meaning, while his less inquiring countrymen were imposed upon by the exaggerations of poets. But as the story was presented to him plain and unvarnished, either for acceptance or rejection, his feelings as a patriot and a religious man prevented him from applying to the past such tests of credibility as his untrammelled reason acknowledged to be paramount in regard to the present. When we see moreover how much his belief was strengthened, and all tendency to scepticism shut out by the familiarity of his eye and memory with sculptured or painted Amazons[520]—we may calculate the irresistible force of this sensible demonstration on the convictions of the unlettered public, at once more deeply retentive of passive impressions, and unaccustomed to the countervailing habit of rational investigation into evidence. Had the march of an army of warlike women, from the Thermôdôn or the Tanais into the heart of Attica, been recounted to Arrian as an incident belonging to the time of Alexander the Great, he would have rejected it no less emphatically than Strabô; but cast back as it was into an undefined past, it took rank among the hallowed traditions of divine or heroic antiquity,—gratifying to extol by rhetoric, but repulsive to scrutinize in argument.[521] [520] Ktêsias described as real animals, existing in wild and distant regions, the heterogeneous and fantastic combinations which he saw sculptured in the East (see this stated and illustrated in Bähr, Preface to the Fragm. of Ktêsias, pp. 58, 59).