[134] Iliad, xviii. 306. The chaste, still, and home-keeping Hestia, goddess of the family hearth, is far less fruitful in mythical narratives, in spite of her very superior dignity, than the knavish, smooth-tongued, keen, and acquisitive Hermês. His function of messenger of the gods brings him perpetually on the stage, and affords ample scope for portraying the features of his character. The Homeric hymn to Hermês describes the scene and circumstances of his birth, and the almost instantaneous manifestation, even in infancy, of his peculiar attributes; it explains the friendly footing on which he stood with Apollo,—the interchange of gifts and functions between them,—and lastly, the inviolate security of all the wealth and offerings in the Delphian temple, exposed as they were to thieves without any visible protection. Such was the innate cleverness and talent of Hermês, that on the day he was born he invented the lyre, stringing the seven chords on the shell of a tortoise:[135] and he also stole the cattle of Apollo in Pieria, dragging them backwards to his cave in Arcadia, so that their track could not be detected. To the remonstrances of his mother Maia, who points out to him the danger of offending Apollo, Hermês replies, that he aspires to rival the dignity and functions of Apollo among the immortals, and that if his father Zeus refuses to grant them to him, he will employ his powers of thieving in breaking open the sanctuary at Delphi, and in carrying away the gold and the vestments, the precious tripods and vessels.[136] Presently Apollo discovers the loss of his cattle, and after some trouble finds his way to the Kyllênian cavern, where he sees Hermês asleep in his cradle. The child denies the theft with effrontery, and even treats the surmise as a ridiculous impossibility: he persists in such denial even before Zeus, who however detects him at once, and compels him to reveal the place where the cattle are concealed. But the lyre was as yet unknown to Apollo, who has heard nothing except the voice of the Muses and the sound of the pipe. So powerfully is he fascinated by hearing the tones of the lyre from Hermês, and so eager to become possessed of it, that he is willing at once to pardon the past theft, and even to conciliate besides the friendship of Hermês.[137] Accordingly a bargain is struck between the two gods and sanctioned by Zeus. Hermês surrenders to Apollo the lyre, inventing for his own use the syrinx or panspipe, and receiving from Apollo in exchange the golden rod of wealth, with empire over flocks and herds as well as over horses and oxen and the wild animals of the woods. He presses to obtain the gift of prophecy, but Apollo is under a special vow not to impart that privilege to any god whatever: he instructs Hermês however how to draw information, to a certain extent, from the Mœræ or Fates themselves; and assigns to him, over and above, the function of messenger of the gods to Hadês.