Some good remarks on this subject are to be found in William Humboldt’s Introduction to his elaborate treatise _Ueber die Kawi-Sprache_, in reference to the oral tales current among the Basques. He, too, observes how great and repulsive a proceeding it is, to pass at first from verse sung, or recited, to verse written; implying that the words are conceived detached from the _Vortrag_, the accompanying music, and the surrounding and sympathizing assembly. The Basque tales have no charm for the people themselves, when put in Spanish words and read (Introduction, sect. xx. p. 258-259). Unwritten prose tales, preserved in the memory, and said to be repeated nearly in the same words from age to age, are mentioned by Mariner, in the Tonga Islands (Mariner’s Account, vol. ii. p. 377). The Druidical poems were kept unwritten by design, after writing was in established use for other purposes (Cæsar, B. G. vi. 13). Incredible as the statement may seem in an age like the present, there is in all early societies, and there was in early Greece, a time when no such reading class existed. If we could discover at what time such a class first began to be formed, we should be able to make a guess at the time when the old Epic poems were first committed to writing. Now the period which may with the greatest probability be fixed upon as having first witnessed the formation even of the narrowest reading class in Greece, is the middle of the seventh century before the Christian era (B. C. 660 to B. C. 630),—the age of Terpander, Kallinus, Archilochus, Simonidês of Amorgus, etc. I ground this supposition on the change then operated in the character and tendencies of Grecian poetry and music,—the elegiac and iambic measures having been introduced as rivals to the primitive hexameter, and poetical compositions having been transferred from the epical past to the affairs of present and real life. Such a change was important at a time when poetry was the only known mode of publication (to use a modern phrase not altogether suitable, yet the nearest approaching to the sense). It argued a new way of looking at the old epical treasures of the people, as well as a thirst for new poetical effect; and the men who stood forward in it may well be considered as desirous to study, and competent to criticize, from their own individual point of view, the written words of the Homeric rhapsodes, just as we are told that Kallinus both noticed and eulogized the Thebaïs as the production of Homer. There seems, therefore, ground for conjecturing, that (for the use of this newly-formed and important, but very narrow class) manuscripts of the Homeric poems and other old epics—the Thebaïs and the Cypria as well as the Iliad and the Odyssey—began to be compiled towards the middle of the seventh century B. C.:[258] and the opening of Egypt to Grecian commerce, which took place about the same period, would