But we cease to wonder at the submissive character of the agora, when we read the proceedings of Odysseus towards the people themselves;—his fine words and flattery addressed to the chiefs, and his contemptuous reproof and manual violence towards the common men, at a moment when both were doing exactly the same thing,—fulfilling the express bidding of Agamemnôn, upon whom Odysseus does not offer a single comment. This scene, which excited a sentiment of strong displeasure among the democrats of historical Athens,[110] affords a proof that the feeling of personal dignity, of which philosophic observers in Greece—Herodotus, Xenophôn, Hippocratês, and Aristotle—boasted, as distinguishing the free Greek citizen from the slavish Asiatic, was yet undeveloped in the time of Homer.[111] The ancient epic is commonly so filled with the personal adventures of the chiefs, and the people are so constantly depicted as simple appendages attached to them, that we rarely obtain a glimpse of the treatment of the one apart from the other, such as this memorable Homeric agora affords. [110] Xenophôn, Memorab. i. 2, 9. [111] Aristot. Polit. vii. 6, 1; Hippocrat. De Aëre, Loc. et Aq. v. 85-86; Herodot. vii. 135. There remains one other point of view in which we are to regard the agora of primitive Greece,—as the scene in which justice was administered. The king is spoken of as constituted by Zeus the great judge of society: he has received from Zeus the sceptre, and along with it the powers of command and sanction: the people obey these commands and enforce these sanctions, under him, enriching him at the same time with lucrative presents and payments.[112] Sometimes the king separately, sometimes the kings or chiefs or gerontes in the plural number, are named as deciding disputes and awarding satisfaction to complainants; always, however, in public, in the midst of the assembled agora.[113] In one of the compartments of the shield of Achilles, the details of a judicial scene are described. While the agora is full of an eager and excited crowd, two men are disputing about the fine of satisfaction for the death of a murdered man,—one averring, the other denying, that the fine had already been paid, and both demanding an inquest. The gerontes are ranged on stone seats,[114] in the holy circle, with two talents of gold lying before them, to be awarded to such of the litigants as shall make out his case to their satisfaction. The heralds with their sceptres, repressing the warm sympathies of the crowd in favor of one or other of the parties, secure an alternate hearing to both.[115] This interesting picture completely harmonizes with the brief allusion of Hesiod to the judicial trial—doubtless a real trial—between himself and his brother Persês. The two brothers disputed about their paternal inheritance, and the cause was carried to be tried by the chiefs in agora; but Persês bribed them, and obtained an