What is here stated, appears to be pretty well ascertained,
chiefly from the inscriptions discovered at Athens a few years
ago, so full of information respecting the Athenian marine,—and
from the most instructive commentary appended to these
inscriptions by M. Boeckh, Seewesen der Athener, ch. ix, pp.
94, 104, 115. But there is a great deal still, respecting the
equipment of an ancient trireme, unascertained and disputed.
Now there was nothing but the voice of the keleustês to keep
these one hundred and seventy rowers all to good time with their
strokes. With oars of different length, and so many rowers, this
must have been no easy matter, and apparently quite impossible,
unless the rowers were trained to act together. The difference
between those who were so trained and those who were not, must
have been immense. We may imagine the difference between the
ships of Phormio and those of his enemies, and the difficulty of
the latter in contending with the swell of the sea,—when we read
this description of the ancient trireme.
About two hundred men, that is to say, one hundred and seventy
rowers and thirty supernumeraries, mostly epibatæ or hoplites
serving on board, besides the pilot, the man at the ship’s bow,
the keleustês, etc., probably some half dozen officers, formed
the crew of a trireme: compare Herodot. viii, 17; vii, 184, where
he calculates the thirty epibatæ over and above the two hundred.
Dr. Arnold thinks that, at the beginning of the Peloponnesian
war, the epibatæ on board an Athenian trireme were no more than
ten: but this seems not quite made out: see his note on Thucyd.
iii, 95.
The Venetian galleys in the thirteenth century were manned by
about the same number of men. “Les galères Vénitiens du convoi de
Flandre devaient être montées par deux cent hommes libres, dont
180 rameurs, et 12 archers. Les arcs ou balistes furent préscrits
en 1333 pour toutes les galères de commerce armées.” (Depping,
Histoire du Commerce entre le Levant et l’Europe, vol. i, p. 163.)
[342] Thucyd. ii, 84.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account