Agis the son of Archidamus (426-399 B.C.), and Pausanias son of Pleistoanax (408-394 B.C.), were the two kings of Sparta at the end of the war. But Lysander, the admiral or commander of the fleet, was for the time[417] greater than either of the two kings, who had the right of commanding only the troops on land. I have already mentioned how his overweening dictation and insolence offended not only Pausanias, but also several of the ephors and leading men at Sparta, as well as Pharnabazus the Persian satrap; thus indirectly bringing about the emancipation of Athens from the Thirty, the partial discouragement of the dekarchies throughout Greece, and the recall of Lysander himself from his command. It was not without reluctance that the conqueror of Athens submitted to descend again to a private station. Amidst the crowd of flatterers who heaped incense on him at the moment of his omnipotence, there were not wanting those who suggested that he was much more worthy to reign than either Agis or Pausanias; that the kings ought to be taken, not from the first-born of the lineage of Eurysthenês and Proklês, but by selection out of all the Herakleids, of whom Lysander himself was one;[418] and that the person elected ought to be not merely a descendant of Hêraklês, but a worthy parallel of Hêraklês himself, while pæans were sung to the honor of Lysander at Samos,[419]—while Chœrilus and Antilochus composed poems in his praise,—while Antimachus (a poet highly esteemed by Plato) entered into a formal competition of recited epic verses called _Lysandria_, and was surpassed by Nikêratus, there was another warm admirer, a rhetor or sophist of Halikarnassus, named Kleon,[420] who wrote a discourse proving that Lysander had well earned the regal dignity,—that personal excellence ought to prevail over legitimate descent, and that the crown ought to be laid open to election from the most worthy among the Herakleids. Considering that rhetoric was neither employed nor esteemed at Sparta, we cannot reasonably believe that Lysander really ordered the composition of this discourse as an instrument of execution for projects preconceived by himself, in the same manner as an Athenian prosecutor or defendant before the dikastery used to arm himself with a speech from Lysias or Demosthenes. Kleon would make his court professionally through such a prose composition, whether the project were first recommended by himself, or currently discussed among a circle of admirers; while Lysander would probably requite the compliment by a reward not less munificent than that which he gave to the indifferent poet Antilochus.[421] And the composition would be put into the form of an harangue from the admiral to his countrymen, without any definite purpose that it should be ever so delivered. Such hypothesis of a speaker and an audience was frequent with the rhetors in their writings, as we may see in Isokrates,—especially in his sixth discourse, called Archidamus.