History of Indian and Eastern ArchitectureFergusson, James
History
History of Indian and Eastern Architecture
Fergusson, James
Architecture -- India; Architecture, Asian
The absence of the wooden ornaments of the external porch, as well as
our ignorance of the mode in which this temple was finished laterally,
and the porch joined to the main temple, prevents us from judging what
the effect of the front would have been if belonging to a free-standing
building. But the proportions of such parts as remain are so good, and
the effect of the whole so pleasing, that there can be little hesitation
in ascribing to such a design a tolerably high rank among architectural
compositions.
Of the interior we can judge perfectly, and it certainly is as solemn
and grand as any interior can well be, and the mode of lighting the most
perfect--one undivided volume of light coming through a single opening
overhead at a very favourable angle, and falling directly on the altar
or principal object in the building, leaving the rest in comparative
obscurity. The effect is considerably heightened by the closely set
thick columns that divide the three aisles from one another, as they
suffice to prevent the boundary walls from ever being seen, and, as
there are no openings in the walls, the view between the pillars is
practically unlimited.
These peculiarities are found more or less developed in all the other
caves of the same class in India, varying only with the age and the
gradual change that took place from the more purely wooden forms of
these caves to the lithic or stone architecture of the more modern ones.
This is the principal test by which their relative ages can be
determined, and it proves incontestably that the Karli cave was
excavated not very long after stone came to be used as a
building-material in India.
There are caves at Ajunta and probably at Junir which are as old as the
four just described, and, when the history of cave architecture comes
to be written _in extenso_, will supply details that are wanting in the
examples just quoted. Meanwhile, however, their forms are sufficient to
place the history on a firm basis, and to explain the origin and early
progress of the style with sufficient distinctness.
Public-domain text, read in full here on John Shaqi.
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