History of Indian and Eastern ArchitectureFergusson, James
History
History of Indian and Eastern Architecture
Fergusson, James
Architecture -- India; Architecture, Asian
The pillars of the Gautamiputra cave No. 3 have, as will be seen from
the last woodcut (No. 80), lost much of the elegance of those last
described. Instead of the graceful bell-shaped Persian capitals, we have
the pudding forms that afterwards became so prevalent. The shafts are
straight posts, and have no bases, and the whole shows an inferiority
not to be mistaken. The richly carved and sculptured doorway also
belongs to a much more modern age. Besides this, there are three things
here which prove almost incontestably that it belongs to the same age as
the Amravati tope erected in the 4th century--the rail in front, already
given (Woodcut No. 36), the pilaster at the end of the verandah,[186]
and the bas-relief of a dagoba, which occupies the same position on the
back wall in this cave that the man with the club occupies in No. 8. It
has the same attendants, and the same superfluity of umbrellas, as are
found there,[187] so that altogether the age of the excavation can
hardly be considered doubtful.
Cave No. 12 is a small vihara, the central hall being 30 ft. by 23 ft.,
and with only four cells on one side. Considerable alterations have been
attempted in its interior at some date long subsequent to its first
excavation, to adapt it apparently to Hindu worship. Its verandah,
however, consisting of two attached and two free-standing columns, is
undoubtedly of the same age as the Nahapana cave No. 8. An inscription
upon it states that it was excavated by Indragnidatta, prince regnant
under Patamitraka of the northern region.[188] None of these names can
be recognised, but they point to an age when foreign kings, possibly of
the Punjab, ruled this country by satraps.
[Illustration: 81. Yadnya Sri Cave, Nassick. (From a Plan by Mr.
Burgess.) Scale 50 ft. to 1 in.]
The great vihara beyond the chaitya cave, and 12 ft. above its level, is
one of the most important of the series, not only from its size, but
from its ordinance and date (Woodcut No. 81). The hall is 60 ft. in
depth by 40 ft. wide at the outer end, increasing to 45 ft. at the
inner, and with eight cells on either side. The most marked peculiarity,
however, is that it has a regular sanctuary at its inner end, with two
richly-carved pillars in front (Woodcut No. 82, p. 152), and within, a
colossal figure of Buddha, seated, with flying and standing attendants,
dwarpals, dwarfs, and all the usual accompaniments usually found in the
fifth and subsequent centuries, but never, so far as I know, before.
Public-domain text, read in full here on John Shaqi.
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