There is only one difficulty, so far as I can see, in understanding the arrangement of the superstructure of this building, and that is the assertion of the ‘Mahawanso’ that it consisted of nine storeys--afterwards of five--each containing 100 apartments. For myself I have no hesitation in rejecting this statement as impossible, not only from the difficulty of constructing and roofing such a building, but because its form is so utterly opposed to all the traditions of Eastern art. If we turn back to Fa Hian or Hiouen Thsang’s description of the great Dekhani monastery (page 135) or to the great rath at Mahavellipore (Woodcut No. 66), or, indeed, to any of the 1001 temples of southern India, all of which simulate three, five, or nine-storeyed residences, we get a distinct idea of what such a building may have been if erected in the Indian style. It would, too, be convenient and appropriate to the climate, each storey having its terrace for walking or sleeping in the open air, and the whole easily constructed and kept in order. All this will be clearer in the sequel, but in the meanwhile it hardly appears doubtful that the Lowa Maha Paya was originally of nine, and subsequently of five storeys, each less in dimension than the one below it. The top one was surmounted as at Mahavellipore by a dome, but in this instance composed of brass--whence its name; and, gilt and ornamented as it no doubt was, it must have been one of the most splendid buildings of the East. It was as high as the topes, and, though not covering quite so much ground, was equal, in cubical contents, to the largest of our English cathedrals, and the body of the building was higher than any of them, omitting of course the spires, which are mere ornaments. * * * * * Besides these there are scattered about the ruins of Anuradhapura some half dozen, it may be a dozen, groups of pillars, whose use and purpose it would be extremely interesting to know something about. They all seem raised on a platform or stylobate, and approached by one or more flights of steps, of a highly ornamental character. One of these, leading to a group of pillars attached to the Ruanwelli dagoba, will convey some idea of their general character (Woodcut No. 103). At the foot of the flight of steps is a semicircular stone, popularly known in Ceylon as a moon stone (Woodcut No. 104). At least a dozen of these are known to exist at Anuradhapura and as many probably at Pollonarua. Some are large and some smaller than others, but they [Illustration: 103. Pavilion with Steps at Anuradhapura. (From a Photograph.)] [Illustration: 104. Moon Stone at Foot of Steps leading to the Platform of the Bo-tree, Anuradhapura. (From a Photograph.)]