381. Temple at Macao 694 382. Porcelain Tower, Nankin 695 383. Pagoda in Summer Palace, Pekin 696 384. Tung Chow Pagoda 697 385. Chinese Grave 699 386. Chinese Tomb 699 387. Group of Tombs near Pekin 700 388. Pailoo near Canton 701 389. Pailoo at Amoy 702 390. Diagram of Chinese Construction 703 391. Pavilion in the Summer Palace, Pekin 705 392. Pavilion in the Summer Palace, Pekin 706 393. View in the Winter Palace, Pekin 707 394. Archway in the Nankau Pass 709 NOTE.--Those woodcuts in the above list marked with an asterisk are borrowed from ‘L’Inde des Rajahs,’ published by Hachette et Cie, Paris, translated and republished in this country by Messrs. Chapman and Hall. HISTORY OF INDIAN ARCHITECTURE. INTRODUCTION. It is in vain, perhaps, to expect that the Literature or the Arts of any other people can be so interesting to even the best educated Europeans as those of their own country. Until it is forced on their attention, few are aware how much education does to concentrate attention within a very narrow field of observation. We become familiar in the nursery with the names of the heroes of Greek and Roman history. In every school their history and their arts are taught, memorials of their greatness meet us at every turn through life, and their thoughts and aspirations become, as it were, part of ourselves. So, too, with the Middle Ages: their religion is our religion; their architecture our architecture, and their history fades so insensibly into our own, that we can draw no line of demarcation that would separate us from them. How different is the state of feeling, when from this familiar home we turn to such a country as India. Its geography is hardly taught in schools, and seldom mastered perfectly; its history is a puzzle; its literature a mythic dream; its arts a quaint perplexity. But, above all, the names of its heroes and great men are so unfamiliar and so unpronounceable, that, except a few of those who go to India, scarcely any ever become so acquainted with them, that they call up any memories which are either pleasing or worth dwelling upon.