History of Indian and Eastern ArchitectureFergusson, James
History
History of Indian and Eastern Architecture
Fergusson, James
Architecture -- India; Architecture, Asian
THE HOLY SEPULCHRE AND THE TEMPLE AT JERUSALEM. Being the Substance
of Two Lectures delivered in the Royal Institution, Albemarle
Street, on the 21st February, 1862, and 3rd March, 1865. Woodcuts.
8vo. 7_s._ 6_d._ London, Murray, 1865.
AN ESSAY ON A PROPOSED NEW SYSTEM OF FORTIFICATION, with Hints for
its Application to our National Defences. 12_s._ 6_d._ London,
Weale, 1849.
THE PERIL OF PORTSMOUTH. FRENCH FLEETS AND ENGLISH FORTS. Plan.
8vo. 3_s._ London, Murray, 1853.
OBSERVATIONS ON THE BRITISH MUSEUM, NATIONAL GALLERY, and NATIONAL
RECORD OFFICE; with Suggestions for their Improvement. 8vo. London,
Weale, 1859.
LONDON. WM. CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING
CROSS.
PREFACE.
During the nine years that have elapsed since I last wrote on this
subject,[1] very considerable progress has been made in the elucidation
of many of the problems that still perplex the student of the History of
Indian Architecture. The publication of the five volumes of General
Cunningham’s ‘Archæological Reports’ has thrown new light on many
obscure points, but generally from an archæological rather than from an
architectural point of view; and Mr. Burgess’s researches among the
western caves and the structural temples of the Bombay presidency have
added greatly not only to our stores of information, but to the
precision of our knowledge regarding them.
For the purpose of such a work as this, however, photography has
probably done more than anything that has been written. There are now
very few buildings in India--of any importance at least--which have not
been photographed with more or less completeness; and for purposes of
comparison such collections of photographs as are now available are
simply invaluable. For detecting similarities, or distinguishing
differences between specimens situated at distances from one another,
photographs are almost equal to actual personal inspection, and, when
sufficiently numerous, afford a picture of Indian art of the utmost
importance to anyone attempting to describe it.
These new aids, added to our previous stock of knowledge, are probably
sufficient to justify us in treating the architecture of India Proper in
the quasi-exhaustive manner in which it is attempted, in the first 600
pages of this work. Its description might, of course, be easily extended
even beyond these limits, but without plans and more accurate
architectural details than we at present possess, any such additions
would practically contribute very little that was valuable to the
information the work already contains.
Public-domain text, read in full here on John Shaqi.
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