In addition, however, to these scientific advantages, it will undoubtedly be conceded by those who are familiar with the subject that for certain qualities the Indian buildings are unrivalled. They display an exuberance of fancy, a lavishness of labour, and an elaboration of detail to be found nowhere else. They may contain nothing so sublime as the hall at Karnac, nothing so intellectual as the Parthenon, nor so constructively grand as a mediæval cathedral; but for certain other qualities--not perhaps of the highest kind, yet very important in architectural art--the Indian buildings stand alone. They consequently fill up a great gap in our knowledge of the subject, which without them would remain a void. HISTORY. One of the greatest difficulties that exist--perhaps the greatest--in exciting an interest in Indian antiquities arises from the fact, that India has no history properly so called, before the Mahomedan invasion in the 13th century. Had India been a great united kingdom, like China, with a long line of dynasties and well-recorded dates attached to them, the task would have been comparatively easy; but nothing of the sort exists or ever existed within her boundaries. On the contrary, so far as our knowledge extends, India has always been occupied by three or four different races of mankind, who have never amalgamated so as to become one people, and each of these races have been again subdivided into numerous tribes or small nationalities nearly, sometimes wholly, independent of each other--and, what is worse than all, not one of them ever kept a chronicle or preserved a series of dates commencing from any well-known era.[4]