Whenever this chapter of Indian architectural history comes to be written, it will form a curious pendant to that of the wooden architecture of Sweden and Norway, the similarities between the two groups being both striking and instructive. It can hardly be expected that any ethnographical or political connexion can be traced between peoples so remote from one another which could influence their architectural forms; but it is curious, if this is so, to observe how people come independently to adopt the same forms and similar modes of decoration when using the same materials for like purposes, and under similar climatic influences. Although it may, consequently, be impossible to trace any influence that the people of the Himalayas could have exerted on the peoples of the north-west of Europe, it is by no means clear that in these wooden structures we may not find the germ of much that is now perplexing us with regard to the earlier forms of Hindu stone architecture. Like Buddhist architecture, there can hardly be a doubt that much of it was derived from wooden originals, and it is difficult to see any locality where wooden styles were likely to be earlier adopted and longer practised than in those valleys where the Deodar pine is abundant, and forms so excellent and so lasting a building material. * * * * * [Illustration: 175. Monoliths at Dimapur. (From a Drawing by Major Godwin Austen.)] An exploration of these valleys, would, no doubt, bring to light many curious monuments, which would not only be interesting in themselves, but might throw considerable light on many now obscure points of our inquiries. One monument, for instance, has recently been discovered by Major Godwin Austen near the foot of the Naga hills in Assam, which is unlike any other known to exist anywhere else.[338] The temple--if temple it may be called--consists of a long corridor, about 250 ft. in length and 21 ft. wide, the roof of which was supported by pillars richly carved, spaced 15 ft. to 21 ft. apart; but its most remarkable features are two rows--one of sixteen, the other of seventeen monoliths--standing in front of this. The tallest is 15 ft., the smallest 8 ft. 5 in., the general range being from 12 to 13 ft. in height, and 18 ft. to 20 ft. in circumference. No two are exactly alike, though all have a general similarity of design to those represented in the preceding woodcut (No. 175), which may be considered as typical of the style. Another similar monolith was found a small distance off, measuring 16 ft. 8 in. in height, and 23 ft. in circumference.