Passing to the first ages of the Christian era, we find the pontifical
ornaments, the altar and liturgical cloths, and the draperies then in
common use for hanging between the colonnades and porches of churches all
worked with holy images and histories from the Holy Writ. Rich men chose
sacred subjects to be embroidered on their dress, and one senator wore 600
figures worked upon his robes of state. Asterius, Bishop of Amasus,
thunders against those Christians "who wore the Gospels upon their backs
instead of in their hearts."[16]
In the Middle Ages spinning and needlework were the occupation of women of
all degrees. As early as the sixth {5}century the nuns in the diocese of
St. Césaire, Bishop of Arles, were forbidden to embroider robes enriched
with paintings, flowers, and precious stones. This prohibition, however,
was not general. Near Ely, an Anglo-Saxon lady brought together a number of
maidens to work for the monastery, and in the seventh century an Abbess of
Bourges, St. Eustadiole, made vestments and enriched the altar with the
work of her nuns. At the beginning of the ninth century St. Viborade, of
St. Gall, worked coverings for the sacred books of the monastery, for it
was the custom then to wrap in silk and carry in a linen cloth the Gospels
used for the offices of the Church.[17] Judith of Bavaria, mother of
Charles the Bold, stood sponsor for the Queen of Harold, King of Denmark,
who came to Ingelheim to be baptised with all his family, and gave her a
robe she had worked with her own hands and studded with precious stones.
"Berthe aux grands pieds," the mother of Charlemagne, was celebrated for
her skill in needlework,[18]
"à ouvrer si com je vous dirai
N'avoit meillor ouvriere de Tours jusqu'à Cambrai;"
while Charlemagne[19]--
"Ses filles fist bien doctriner,
Et aprendre keudre et filer."
Queen Adelhaïs, wife of Hugh Capet (987-996), presented to the Church of
St. Martin at Tours a cope, on the back of which she had embroidered the
Deity, surrounded by seraphim and cherubim, the front being worked with an
Adoration of the Lamb of God.[20]
Public-domain text, read in full here on John Shaqi.
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