Peuchet, with his predecessor, Savary, and other writers on statistics,
describe the manufacture of Le Puy as the most flourishing in France. "Her
lace," writes Peuchet, "resembles greatly that of Flanders; much is
consumed in the {245}French dominions, and a considerable quantity exported
to Spain, Portugal, Germany, Italy and England. Much thread lace is also
expedited by way of Cadiz to Peru and Mexico. The ladies of these countries
trim their petticoats and other parts of their dress with such a profusion
of lace as to render the consumption 'prodigieuse.'" "Les Anglois en
donnent des commissions en contrebande pour l'Isthmus de Panama. Les
Hollandois en demandent aussi et faisaient expédier à Cadiz à leur
compte."[656] We read, however, after a time, that the taste for a finer
description of lace having penetrated to Mexico and Peru, the commerce of
Le Puy had fallen off, and that from that epoch the work-people had
supported themselves by making blondes and black lace. The thread used in
Auvergne comes from Haarlem, purchased either from the merchants of Rouen
or Lyons. In the palmy days of Le Puy her lace-workers consumed annually to
the amount of 400,000 livres. The laces made for exportation were of a
cheap quality, varying from edgings of 30 sous to 45 livres the piece of 12
ells; of these the annual consumption amounted to 1,200,000 livres.[657] It
may indeed be said that, with the exception of the period of the French
Revolution to 1801, the lace trade of Le Puy has ever been prosperous.
Formerly they only made at Le Puy laces which had each a distinctive
name--ave, pater, chapelets, mie, serpent, bonnet, scie, etc.
Le Puy now produces every description of lace, white and coloured, silk,
thread, and worsted, blondes of all kinds, black of the finest grounds,
application, double and single grounds; from gold and silver lace to
edgings of a halfpenny a yard, and laces of goats' and Angora rabbits'
hairs.
In 1847 more than 5,000 women were employed in making Valenciennes. They
have also succeeded in producing admirable needle-points, similar to the
ancient Venetian. A dress of this lace, destined to adorn an image of the
Virgin, was shown in the French Exhibition of 1855.
{246}In 1848 commerce and trade languished, and a cheaper lace was
produced, made of worsted, for shawls and trimmings. This lace was not long
in fashion, but it re-appeared a few years later under the name of "lama,"
or "poil de chèvre," when it obtained a great success. The hair of the lama
has never been used.
Le Puy now offers to the market an infinite variety of lace, and by means
of these novelties her laces successfully compete with those of Saxony,
which alone can rival her in cheapness; but as the patterns of these last
are copied from the laces of Le Puy and Mirecourt, they appear in the
foreign, market after the originals.
Public-domain text, read in full here on John Shaqi.
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