Ruffs and cuffs, according to Quicherat, first appeared in France in 1540.
The ruff or fraise, as it was termed from its fancied resemblance to the
caul[394] or frill of the calf, first {140}adopted by Henry II. to conceal
a scar, continued in favour with his sons. The Queen-mother herself wore
mourning from the day of the King's death; no decoration therefore appears
upon her wire-mounted ruff,[395] but the fraises of her family and the
_escadron volante_ are profusely trimmed with the geometric work of the
period, and the making of laces and point coupé was the favourite
employment of her court. It is recorded that the girls and servants of her
household consumed much time in making squares of _réseuil_, and Catherine
de Médicis had a bed draped with these squares of _réseuil_ or _lacis_.
Catherine encouraged dress and extravagance, and sought by brilliant fêtes
to turn people's minds from politics. In this she was little seconded
either by her husband or gloomy son, King Charles; but Henry III. and his
"mignons frisés et fraisés" were tricked out in garments of the brightest
colours--toques and toquets, pearl necklaces and earrings. The ruff was the
especial object of royal interest. With his own hand he used the
poking-sticks and adjusted the plaits. "Gaudronneur des collets de sa
femme" was the soubriquet bestowed on him by the satirists of the day.[396]
By 1579 the ruffs of the French court had attained such an outrageous size,
"un tiers d'aulne,"[397] in depth that the wearers could scarcely turn
their heads.[398] "Both men and women wore them intolerably large, being a
quarter of a yard deep and twelve lengths in a ruff," writes Stone. In
London the fashion was termed the "French ruff"; in France, on the other
hand, it was the "English monster." Blaise de Viginière describes them as
"gadrooned like organ-pipes, contorted or crinkled like cabbages, and as
big as the sails of a windmill." So absurd was the effect, the
{141}journalist of Henry III.[399] declares "they looked like the head of
John the Baptist in a charger."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account