We begin with an outline sketch of the general characteristics of modern philosophy. These may be most conveniently described by comparing them with the characteristics of ancient and of mediaeval philosophy. The character of ancient philosophy or Greek philosophy,--for they are practically the same,--is predominantly aesthetic. The Greek holds beauty and truth closely akin and inseparable; "cosmos" is his common expression for the world and for ornament. The universe is for him a harmony, an organism, a work of art, before which he stands in admiration and reverential awe. In quiet contemplation, as with the eye of a connoisseur, he looks upon the world or the individual object as a well-ordered whole, more disposed to enjoy the congruity of its parts than to study out its ultimate elements. He prefers contemplation to analysis, his thought is plastic, not anatomical. He finds the nature of the object in its form; and ends give him the key to the comprehension of events. Discovering human elements everywhere, he is always ready with judgments of worth--the stars move in circles because circular motion is the most perfect; the right is better than left, upper finer than lower, that which precedes more beautiful than that which follows. Thinkers in whom this aesthetic reverence is weaker than the analytic impulse--especially Democritus--seem half modern rather than Greek. By the side of the Greek philosophy, in its sacred festal garb, stands the modern in secular workday dress, in the laborer's blouse, with the merciless chisel of analysis in its hand. This does not seek beauty, but only the naked truth, no matter what it be. It holds it impossible to satisfy at once the understanding and taste; nay, nakedness, ugliness, and offensiveness seem to it to testify for, rather than against, the genuineness of truth. In its anxiety not to read human elements into nature, it goes so far as completely to read spirit out of nature. The world is not a living whole, but a machine; not a work of art which is to be viewed in its totality and enjoyed with reverence, but a clock-movement to be taken apart in order to be understood. Nowhere are there ends in the world, but everywhere mechanical causes. The character of modern thought would appear to a Greek returned to earth very sober, unsplendid, undevout, and intrusive. And, in fact, modern philosophy has a considerable amount of prose about it, is not easily impressed, accepts no limitations from feeling, and holds nothing too sacred to be attacked with the weapon of analytic thought. And yet it combines penetration with intrusiveness; acuteness, coolness, and logical courage with its soberness. Never before has the demand for unprejudiced thought and certain knowledge been made with equal earnestness. This interest in knowledge for its own sake developed so suddenly and with such strength that, in presumptuous gladness, men believed that no previous age had rightly understood what