Greek Religion is Local.--What strikes us most strongly about this early Greek religion is its entire want of system and its local and disintegrated character. Every town, every family, has its own religion. There is no central authority. New gods are constantly springing up; the old ones are constantly receiving new titles and forming new unions with each other or with newer gods. The god of one place is in another only a hero; the same god is represented in different places in entirely different ways, and entirely different legends are attached to his name. Thus the Greeks have from the first a mythology singularly extensive and inconsistent, and their worship also varies in each place. There is no general religion, but only a multitude of local ones. In story and in rite old and new are mixed up together,--what is local and what is imported, what is savage in its nature and origin, and what is on the side of progress. This is a state of matters which lies in every land before the beginning of organised religion. Rites and legends are everywhere of local growth, and the attempt to frame the various rites and legends into a consistent ritual and a systematic account of the gods, comes later. In Greece, as Mr. Robertson Smith observes, the earlier state of matters continued longer and influenced the national faith more deeply than elsewhere. As the Greeks never succeeded in forming a central political system, so they never attained to unity in worship. No national temple arose, the priesthood of which had power to frame the national religion, to lay down rules for sacrifice, or to edit sacred texts. The Greeks were less than any other people under the sway of religious authority. While local practice was fixed, and custom and tradition declared plainly enough what was to be regarded as religious duty, belief was quite free to grow as circumstances or the growth of culture dictated. A religion in such a position, and among a people of lively imagination and specially gifted in the direction of art, must necessarily receive its forms rather from the artist than the priest.