Artistic Tendency.--Thus we can discern from the first the direction which Greek religion must take. The Greeks shaped their gods earlier and more freely than other peoples, and went on shaping them till no further advance could be made in that way. Long before Homer they had been making their gods such as free men, and men endowed with a sense of beauty, could worship. They were not content to worship lifeless objects, but must have living beings. They were not content to worship beings without reason, they must worship reasonable beings. They were not inclined to regard the natural objects they worshipped with terror or self-prostration, but rather in a spirit of genial friendliness and sympathy as being something like themselves. And so they turned their gods into men. The anthropomorphising tendency, present as we have seen in other lands and at much earlier periods, present indeed wherever religion is a growing power, had freer play with them than with any other people. Thus the spirits of the fountain and the tree, and of every part of nature that was worshipped, took human form. At first, no doubt, the nymph was in the fountain, the dryad in the oak, but as time went on the human maiden cast off her mosses and her bark and leaves, and stood forth to imagination a being wholly human, dwelling beside the fountain or the tree. In the same way heaven becomes a great human father, the sea an earth-shaking potentate drawn by dolphins over the waves, the sun a mighty archer, fire a lame craftsman (from the flickering of flame?) whose smithy is underground where the volcanoes are. And the figures once arrived at, it was no hard task to spin out their stories and their relations with each other, and to connect with them older tales, as taste or fancy suggested.