History of Roman Literature from its Earliest Period to the Augustan Age. Vol. IDunlop, John Colin
History
History of Roman Literature from its Earliest Period to the Augustan Age. Vol. I
Dunlop, John Colin
Latin literature -- History and criticism
The age of Laberius, P. Syrus, and Matius, was the most brilliant epoch in
the history of the actors of Mimes. After that period, they relapsed into
a race of impudent buffoons; and, in the reign of Augustus, were classed,
by Horace, with mountebanks and mendicants(563). Pantomimic actors, who
did not employ their voice, but represented everything by gesticulation
and dancing, became, under Augustus, the idols of the multitude, the
minions of the great, and the favourites of the fair. The _Mimi_ were then
but little patronized on the stage, but were still admitted into convivial
parties, and even the court of the Emperors, to entertain the guests(564),
like the Histrions, Jongleurs, or privileged fools, of the middle ages;
and they were also employed at funerals, to mimic the manners of the
deceased. Thus, the Archimimus, who represented the character of the
avaricious Vespasian, at the splendid celebration of his obsequies,
inquired what would be the cost of all this posthumous parade; and on
being told that it would amount to ten millions of sesterces, he replied,
that if they would give him a hundred thousand, they might throw his body
into the river(565). The audacity, however, of the Mimes was carried still
farther, as they satirized and insulted the most ferocious Emperors during
their lives, and in their own presence. An actor, in one of these pieces
which was performed during the reign of Nero, while repeating the words
“_Vale pater, vale mater_,” signified by his gestures the two modes of
drowning and poisoning, in which that sanguinary fiend had attempted to
destroy both his parents(566). The _Mimi_ currently bestowed on Commodus
the most opprobrious appellation(567). One of their number, who performed
before the enormous Maximin, reminded the audience, that he who was too
strong for an individual, might be massacred by a multitude, and that thus
the elephant, lion, and tiger, are slain. The tyrant perceived the
sensation excited in the Theatre, but the suggestion was veiled in a
language unknown to that barbarous and gigantic Thracian(568).
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