Since, then, the literature of Rome exercised but a limited influence on the conduct of its citizens, and as it reciprocally reflects but a partial light on their manners and institutions, its history must, in a great measure, consist of biographical sketches of _authors_—of critical accounts of their _works_—and an examination of the _influence_ which these works have exercised on modern literature. The _authors_ of Rome were, in their characters, and the events of their lives, more interesting than the writers of any ancient or modern land. The authors who flourished during the existence of the Roman Republic, were Cato the Censor, Cicero, and Cæsar; men who (independently of their literary claims to celebrity) were unrivalled in their own age and country, and have scarcely been surpassed in any other. I need not here anticipate those observations which the _works_ of the Roman authors will suggest in the following pages. Though formed on a model which has been shaped by the Greeks, we shall perceive through that spirit of imitation which marks all their literary productions, a tone of practical utility, derived from the familiar acquaintance which their writers exercised with the business and affairs of life; and also that air of nationality, which was acquired from the greatness and unity of the Roman republic, and could not be expected in literary works, produced where there was a subdivision of states in the same country, as in Greece, modern Italy, Germany, and Britain. We shall remark a characteristic authority of expression, a gravity, circumspection, solidity of understanding, and dignity of sentiment, produced partly by the moral firmness that distinguished the character of the Romans, their austerity of manners, and tranquillity of temper, but chiefly by their national pride, and the exalted name of Roman citizen, which their authors bore. And, finally, we shall recognise that love of rural retirement which originated in the mode of life of the ancient Italians, and was augmented by the pleasing contrast which the undisturbed repose and simple enjoyments of rural existence presented to the bustle of an immense and agitated capital. In the last point of view that has been alluded to—the _influence_ which these works have exercised on modern letters—it cannot be denied that the literary history of Rome is peculiarly interesting. If the Greeks gave the first impulse to literature, the Romans engraved the traces of its progress deeper on the world. “The earliest writers,” as has been justly remarked, “took possession of the most striking objects for description, and the most probable occurrences for fiction, and left nothing to those that followed, but transcriptions of the same events, and new combinations of the same images(6).” The great author from whom these reflections are quoted, had at one time actually “projected a work, to show how small a quantity of invention there is in the world, and that the same images and incidents,