7. _Scales of Impure Colours._--The standards just spoken of include (mainly at least) only pure and simple colours; and however complete these standards may be for certain objects of the science of optics, they are insufficient for other purposes. They do not enable us to put in their place mixed and impure colours. And there is, in the case of colour, a difficulty already noticed, which does not occur in the case of sound; two notes, when sounded together, are not necessarily heard as one; they are recognized as still two, and as forming a concord or a discord. But two colours form a single colour; and the eye cannot, in any way, distinguish between a green compound of blue and yellow, and the simple, undecomposable green of the spectrum. By composition of three or more colours, innumerable new colours may be generated which form no part of the prismatic series; and by such compositions is woven the infinitely varied web of colour which forms the clothing of nature. How are we to classify and arrange all the possible colours of objects, so that each shall have a place and name? How shall we find a _chromatometer_ for impure as well as for pure colour? Though no optical investigations have depended on a scale of impure colours, such a scale has been wanted and invented for other purposes; for instance, in order to identify and describe objects of natural history. Not to speak of earlier essays, we may notice Werner's Nomenclature of Colours, devised for the purpose of describing minerals. This scale of colour was far superior to any which had previously been promulgated. {343} It was, indeed, arbitrary in the selection of its degrees, and in a great measure in their arrangement; and the colours were described by the usual terms, though generally with some added distinction; as _blackish green_, _bluish green_, _apple-green_, _emerald-green_. But the great merit of the scale was its giving a _fixed_ conventional meaning to these terms, so that they lost much of their usual vagueness. Thus _apple-green_ did not mean the colour of any green apple casually taken; but a certain definite colour which the student was to bear in mind, whether or not he had ever seen an apple of that exact hue. The words were not a description, but a _record_ of the colour: the memory was to retain a _sensation_, not a name. The imperfection of the system (arising from its arbitrary form) was its incompleteness: however well it served for the reference of the colours which it did contain, it was applicable to no others; and thus though Werner's enumeration extended to more than a hundred colours, there occur in nature a still greater number which cannot be exactly described by means of it.