In such cases the unclassed colour is, by the Wernerians, defined by stating it as intermediate between two others: thus we have an object described as _between emerald-green and grass-green_. The eye is capable of perceiving a gradation from one colour to another; such as may be produced by a gradual mixture in various ways. And if we image to ourselves such a mixture, we can compare with it a given colour. But in employing this method we have nothing to tell us in what part of the scale we must seek for an approximation to our unclassed colour. We have no rule for discovering where we are to look for the boundaries of the definition of a colour which the Wernerian series does not supply. For it is not always between contiguous members of the series that the undescribed colour is found. If we place emerald-green between apple-green and grass-green, we may yet have a colour intermediate between emerald-green and leek-green; and, in fact, the Wernerian series of colours is destitute {344} of a principle of self-arrangement and gradation; and is thus necessarily and incurably imperfect. 8. We should have a complete Scale of Colours, if we could form a series including all colours, and arranged so that each colour was intermediate in its tint between the adjacent terms of the series; for then, whether we took many or few of the steps of the series for our standard terms, the rest could be supplied by the law of continuity; and any given colour would either correspond to one of the steps of our scale or fall between two intermediate ones. The invention of a Chromatometer for Impure Colours, therefore, requires that we should be able to form all possible colours by such intermediation in a systematic manner; that is, by the mixture or combination of certain elementary colours according to a simple rule: and we are led to ask whether such a process has been shown to be possible.