History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
With the exception of the two first, these remains as also the Temple
of Apollo, at Gela, seem to be nearly of the same age. Indeed, their
erection can be fixed between certain limits, by comparison of
historical details, in which, either by direct mention or inference,
a connexion is traced between the political condition and the arts of
the Sicilian cities. Proceeding in this manner, it is found that all of
these enormous piles rose in little more than a century, embracing the
greater part of the fifth, and the early portion of the fourth, before
our era. These edifices thus fall in with the interval already noticed
between the earliest Doric buildings in Greece, and the erection of
the Athenian temples. Accordingly, there appear in them more noble
proportions and a greater elevation of column than in the former, still
without the graceful majesty of the latter. Under what circumstances,
however, or by what science, many of these wonderful fabrics were
reared, history affords no information. Of the rise and the overthrow,
for instance, of the temples at Selinus, we know nothing; some even
doubt whether human power could have overthrown what it had elevated;
and ascribe the regular prostration of the gigantic columns, each
often exactly in a line, extending outwards from its base, as if
overturned but yesterday, to the concussion of an earthquake. These
appearances we have certainly remarked with astonishment, and have
beheld, and measured, and wandered amid the ruins, with admiration not
unmingled with awe; but the truth was obvious, that the same age which
could arrange these masses into symmetry, could also have cast them
down as they now lie. And we know that it was the same age--for one
page, almost one sentence, records both their rise and their fall. Yet
of the energies and knowledge of that age, our own has no conception.
The riches of any one of the sovereigns of Europe, and the skill of his
wisest subjects, would barely suffice for the erection of only one of
the six Selinuntine temples--the works of a distant colony of Greece.
That this may not appear exaggeration, let the reader contemplate
for a moment an edifice--the porticos of which alone would require
one hundred columns of stone, each sixty feet high, and thirty in
circumference--such was the great Temple of Selinus.
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