History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
The celebrated ruins of Pæstum, consisting of two temples and a
quadrangular portico, containing eighteen columns in flank, and seven
in front, compose the only Grecian Doric remains in Italy. The date and
origin of these structures will probably ever remain liable to doubt.
This arises partly from the singular nature of some of the buildings
themselves, as well as from the obscurity which rests upon this
portion of history in general. The greater of the two temples bears
evident character of the same design and architectural principles as
the Sicilian edifices; between which latter, indeed, as compared with
each other, there exists, in this respect, a very striking uniformity,
pointing to a nearly contemporary erection. Hence the inference seems
clear, that to the same era the Pæstan ruin is to be referred, and that
it is the work of Greek colonists from Sybaris, who, from the middle
of the sixth century B. C., for more than two hundred years enjoyed
peaceable possession of this part of Lucania. This temple, though not
equal in magnitude to some ruins in Sicily, is a very noble, and the
largest pile in a state of such perfection out of Greece. Not a single
column of the outer peristylia is wanting. It was within this 'pillared
range,' during the moonlight of a troubled sky, we experienced emotions
of the awful and sublime, such as impress a testimony, never to be
forgotten, of the power of art over the affections of the mind.
The other ruins, which some consider a temple and a hall of justice,
others, with greater probability, two temples, though, like the former
in situation,
They stand between the mountain and the sea,
Awful memorials, but of whom we know not,
are far inferior in dignity of effect and purity of style. Nor are
these defects the consequences of a progressive knowledge advancing to
better things, they are evident corruptions of ancient simplicity. Both
these are to be referred to a period posterior to the Roman conquest of
the city, which occurred in the 481st year of Rome, that is, not three
centuries before our era. Of the same age are the walls, remaining in
considerable entireness, especially the eastern gate, as represented
in the vignette, where the voussoirs, or arch-stones, still span the
entrance.
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