History of Spanish and Portuguese Literature (Vol 1 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 1 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
But Lope de Vega’s poetic talent procured him even more glory than
gain. No Spanish poet was ever so much honoured during his life. The
nobility and the public vied in expressing their admiration of him.
He was chosen president (_capellan mayor_) of the spiritual college
of Madrid, of which he had previously been admitted as a member. Pope
Urban VIII. sent him the cross of Malta, and the degree of doctor of
theology, accompanied by a flattering letter. The pope also appointed
him fiscal of the apostolic chamber. For these distinctions Lope
de Vega was not indebted merely to his poetic talents. No Spanish
poet of celebrity had hitherto manifested in his writings such
enthusiastic interest for the triumph of the catholic religion. He
was accordingly appointed familiar to the inquisition, a post which
was at that period regarded as singularly honourable. But the Spanish
public adopted another mode of expressing their admiration of their
favourite dramatist. Whenever Lope de Vega appeared in the streets,
he was surrounded by crowds of people, all eager to gain a sight of
the prodigy of nature. The boys ran shouting after him, and those who
could not keep pace with the rest, stood and gazed on him with wonder
as he passed. He died in 1631, in the sixty-third year of his age. His
funeral was conducted with princely magnificence. The ceremony was
directed by his patron, the Duke of Susa, whom he appointed executor
of his will. The music of the high mass which was celebrated at his
funeral, was executed by the performers of the chapel royal. During
the exequies, which lasted three days, three bishops officiated in
their pontifical robes. The memory of the “Spanish Phenix,” as he was
usually styled by the publishers of his plays, was celebrated with no
less pomp in all the theatres of Spain. Arithmetical calculations have
been employed, in order to arrive at a just estimate of Lope de Vega’s
facility in poetic composition. According to his own testimony, he
wrote on an average five sheets per day; it has therefore been computed
that the number of sheets which he composed during his life, must have
amounted to one hundred and thirty-three thousand, two hundred and
twenty-five, and that allowing for the deduction of a small portion of
prose, Lope de Vega must have written upwards of twenty-one millions,
three hundred thousand verses.[359]
Public-domain text, read in full here on John Shaqi.
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