Prince Francisco de Borja y Esquillache, a knight of the Golden Fleece, and for some time viceroy of Peru, was the most distinguished, in point of birth, of all the Spanish poets of his age.[515] With regard to cultivation, he may be placed on a level with Jauregui; but he deserves to rank higher in poetic invention. Throughout his long life, which when he died in 1658, had extended to nearly eighty years, he seems constantly to have devoted a portion of his time to the study of poetry; and though he was not entitled to the praises lavished on him by his flatterers, who styled him the Prince of Spanish Poets, he may be regarded as the last representative of the classic style of the sixteenth century. The collection of his sonnets, epistles, tales, romances, and canciones, forms a large quarto volume, the last half of which is printed in double columns.[516] Prince Francisco de Borja, was likewise the author of an unsuccessful epic poem, entitled, _Napoles Conquistada_, and various works on sacred subjects. Though he did not contribute to the advancement of Spanish poetry, yet in all his writings, he decidedly opposed that subtlety and affectation which in the time of Gongora usurped the place of real genius. The intimate friendship he had contracted in his youth with the younger Argensola, had no doubt a favourable influence on the early developement of his talent. In the preface to his poems, which is in verse, he explains the principles of his taste with so much accuracy, modesty and elegance, that the reader cannot fail to be prepossessed in his favour, before entering on an attentive perusal of his works.[517] He was particularly averse to all kinds of affectation and extravagance.[518] Most of his sonnets bear traces of mature reflection.[519] His long tale of Jacob and Rachel, (_Cantos de Jacob y Raquel_), in octaves, has indeed no other merit than that of elegant diction.[520] His lyric romances, however, of which he wrote upwards of two hundred and fifty, present at once the richest and most beautiful gleanings in that species of poetic composition.[521] OTHER POETS OF THIS PERIOD--THE SYLVAS, OR POETIC FORESTS.