History of Spanish and Portuguese Literature (Vol 1 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 1 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
Not a single Spanish poet of distinguished merit flourished during the
first half of the eighteenth century. That such a barrenness should
have succeeded so great a fertility of talent, is a circumstance which
the exhaustion of the national spirit does not sufficiently explain.
It is also necessary to take into the account the conflict maintained
between favour shewn to the French style and the demands of the
Spanish public. Supported by national approbation, the Spanish poetry
had gloriously flourished; but it perished when new arbiters of taste,
who judged according to foreign principles, could with impunity treat
the Spanish public as an ignorant multitude.[601] In this collision
Spanish eloquence sustained no immediate injury. The influence of
the French style, could indeed at that time do it no injury, for at
the commencement of the eighteenth century, French prose was fitted
to serve as a model for clearness, precision, facility and elegance.
But no aspiring spirit now animated Spanish authors. Books written in
correct prose were produced in sufficient numbers; and yet no work
appeared which deserved particular distinction for rhetorical merit, or
which contributed in any degree to invigorate the literature of Spain.
CHAPTER III.
CONCLUDING PERIOD OF THE HISTORY OF SPANISH POETRY AND ELOQUENCE.
The Spanish writers who lived about the middle of the eighteenth
century, began to be ashamed of the unworthy bondage which had severed
them from all common feeling with the public taste. It is doubtful
whether at this particular period, the nation in general began
once more to be roused to a sense of its own importance; but this
is certain, that a literary patriotism imperceptibly revived within
the narrow circle of Spanish authorship. Even several members of the
Spanish academy proved that they were no longer to be satisfied with
mere French elegance. The works of the sixteenth and seventeenth
centuries were again received into favour. Men of superior talents
arose, who endeavoured to combine Spanish genius with French elegance;
and the literature of Spain began to acquire a new life.
LA HUERTA.
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