History of Spanish and Portuguese Literature (Vol 1 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 1 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
If a comprehensive view be taken of the merits of Boscan, it will be
impossible, notwithstanding the striking faults which appear in his
works, and particularly in his sonnets, to withhold from him the title
of the first classical poet of Spain. Some of his expressions are
now antiquated, but upon the whole his language has continued a model
for succeeding ages. Simplicity and dignity had never, in the same
degree, and under a form so correct, been united with poetic truth
and feeling by any previous Spanish author. The partizans of the old
national poetry reproached him with being an imitator; but without
the kind of imitation by which he naturalized in his language a taste
for the literature of Italy and the ancient classics, it would have
been impossible for Spanish poetry to have gained that field in which
it afterwards competed with the Italian. That he did not obtrude upon
his countrymen a kind of poetry irreconcilable with the genius of the
language and the national character, is evident from the rapidity
with which the new taste spread over the whole of Spain, and extended
into Portugal, and from its duration in both kingdoms. The poetic
innovators, at whose head Boscan stood, were certainly blameable, in so
far as they wished to banish entirely the ancient Spanish style, which
was also, in its own manner, susceptible of classical improvement. But
it is doubtful whether the partizans of that style would have thought
of perfecting it after classical models, had not the disciples of the
Italian school unexpectedly shewn the high cultivation of which Spanish
poetry was capable under new forms. This Boscan first made manifest,
not by critical reasoning, but by example; and his modesty contributed
not a little to attract to his party the more liberal minded of his
countrymen. Had he commenced his reform by trying to beat down the old
style with theoretical argument, or egotistical declamation, he would
only have rendered himself an object of ridicule; for the public he had
to deal with was not indisposed to improvement, but would not submit to
have lessons read to it magisterially.
After Boscan, his friends, who participated in the fame of that reform
to which he shewed the way, are justly entitled to the next place in
the history of Spanish poetry.
GARCILASO DE LA VEGA.
Public-domain text, read in full here on John Shaqi.
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