the national style, began about this time more particularly to unfold its characteristic beauties. According to the testimony of a Spanish writer,[16] the Portuguese _Cancioneiro Geral_ contains some poems of the fourteenth century, with the names of the authors affixed to them. CHRONICLES IN PROSE. In the fourteenth century too, Portuguese prose improved in precision, after a certain degree of literary consideration had been given to it, in consequence of chronicles being written in the national language. From this period the Portuguese vied with the Castilians in the patriotic task of recording the memorable events of their national history. The style of the Portuguese chronicles of the fourteenth century is, however, completely in the chronicle manner.[17] Indeed the Portuguese literature of the fourteenth century presents no prose work, which in point of style equals those written during that period, in the Castilian language, by the Infante Juan Manuel. INTIMATE CONNECTION OF THE PORTUGUESE AND GALICIAN POETRY--THE GALICIAN POET MACIAS. In Portugal as in Spain the fifteenth century was the period during which the old national songs and romances flourished in the greatest luxuriance. Since that time Portuguese and Spanish poetry have in general occupied the same degrees of cultivation, and have lent to each other a mutual support, though neither stood in need of the other’s aid. The correspondence between the Castilian and the Portuguese poetry, was at that time particularly promoted by the Galician poets, who though faithful subjects of the Castilian monarchy, still remained true to their mother tongue. Galicia seems to have been the land of romantic sentiment whence the poetry of love exhibited in the lyric compositions of Spain and Portugal was transplanted. No Portuguese or Spaniard is so celebrated in poetic literature, for the influence of love on his fate, as the Galician poet and knight Macias, who lived in the first half of the fifteenth century, and of whose remarkable history a brief sketch may properly be introduced here. Macias, who obtained the surnames of the _enamoured_ and the _great_, distinguished himself as a brave warrior against the Moors of Granada, and as an accomplished writer in the literary retinue of the Marquess of Villena.[18] But though the marquess appreciated the merits and talents of Macias, he did not approve the romantic passion with which that enthusiast interwove his poetic fancies into the affairs of real life. The marquess strictly prohibited him from continuing a secret intrigue in which he had embarked with a lady, who, through the intervention of the marquess, had become the wife of another knight. But Macias conceived that he could not better prove his chivalrous constancy in love, than by boldly disobeying the commands of his patron. The marquess, however, availing himself of his power as grand master of the order of Calatrava, sent the refractory poet a prisoner to the kingdom