History of Spanish and Portuguese Literature (Vol 2 of 2) — John Shaqi
History of Spanish and Portuguese Literature (Vol 2 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 2 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
Titles of some of the poems produced in this period 366
Garçaõ--his imitation of Horace’s odes 367
His dramas in the style of Terence 372
The Abbot Paulino 375
Dona Catharina de Sousa--Her tragedy of Osmia 377
Failure of Osmia on the stage--prevalence of dramatic
imitations and translations 383
Recent Portuguese poets--in particular Tolentino da Almeida 384
Araujo de Azavedo--his translations of English poems 386
CHAP. III.
HISTORY OF PORTUGUESE ELOQUENCE, CRITICISM AND RHETORIC,
DURING THIS PERIOD.
Further decline of Portuguese eloquence 387
New cultivation of eloquence--Classical prose authors still
wanting in modern Portuguese literature 390
Romantic prose--translations 391
Portuguese criticism of the eighteenth century ibid
Ericeyra’s introduction to his Henriqueida 392
Garçaõ’s lectures 395
Philological and critical treatises of the Academicians--Joaquim
de Foyos--Francisco Dias--Antonio das Naves, &c. 398
Compendium of rhetoric by Antonio Teixeira de Magalhaens 402
CONCLUSION.
Comparison of Portuguese and Spanish literature 403
HISTORY
OF
_PORTUGUESE LITERATURE_.
BOOK I.
FROM THE END OF THE THIRTEENTH TO THE COMMENCEMENT OF THE SIXTEENTH
CENTURY.
RISE OF PORTUGUESE POETRY.
That songs in the Portuguese language were sung on the banks of the
Tagus, before any kingdom of Portugal existed cannot be doubted.
Indeed even Spanish writers, who have considered the question with
impartiality, do not deny that Portuguese poetry flourished at an
earlier period than the Castilian; and all accounts of the first
dawnings of modern civilization in Portugal denote an original poetic
tendency in the national genius. That destiny, however, by which
Portugal has been from an early period politically severed from the
other parts of the Peninsula could alone have prevented the Portuguese
poetry from being like the Galician, completely absorbed and lost in
the Castilian; for the Galician and Portuguese languages and poetry,
were originally, and even after the separation of Portugal from the
Castiles, scarcely distinguishable from each other.[1]
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